Pictures of chesapeake bay bridge tunnel

I just posted this about 30 min ago, but the post is now gone. Did it get deleted by mods? Apologies if this is against the rules?
I just bought a new (used) car from dealer in the east bay they did not provide me with any temp paper plates. Reading up on CA Ab 516, it’s not clear to me if I’m in the wrong or not. The original front and rear plates on still on there but are expired. They did however tape a folded piece of paper (what I’m assuming to be proof of transaction or TOP?) to the front windshield. Will this suffice? Am I going to get pulled over? Do the original plate just transfer over to me and all I’m waiting for is the stickers? Who will the San Mateo bridge toll fee go to? I’m so confused. Please advise, thanks in advance!

Issue 1: Lack of fights.
This issue is apparent when low pop hours occur. We have very open fields meaning vehicles prowl for sunderers, reducing infantry fights or forcing then into open field infiltrator slugfests. Solution 1: Add a variety of extra cover assets around areas to help facilitate sunderers. Solution 2: Give the corsair the ability to deploy. This would not only give new purpose to naval combat, but also allow unique flanking options for players via the catapult, reducing boring stalemates.
Issue 2: Lack of proper bases
This issue in particular is created by 2 major factors: High amounts of construct bases and largely unenjoyable, campy underwater gameplay.
Solution 1: Construction mechanic improvements, already on the map from the looks of it. Solution 2: underwater combat major improvements, here is my list: - While using the divers propulsion device, you can use your sidearm. Reason: This turns underwater into a more fast paced movement shooter "minigame" rather than a "who shoots first" minigame. Example from Star Wars Clone Wars - add more cover to bases. Self explanatory.
Issue 3: Stale vehicle play. This is created by yet again 2 factors: 1. Bridges become massive chokepoints, while underwater travel is hindered by steep hills and slow movement. 2. Lack of cover.
Solution 1: make vehicle traverse speed underwater 0.9 times their original speed (IE a 100kph vehicle would go 90 underwater). This allows vehicles that arent the magrider to effectively move around and find flanks, breaking boring stalemates. Solution 2: add additional cover on the open areas so vehicles have more gameplay depth.
With all these changes implemented, i believe oshur could work a whole bunch better.
Some miniscule, more biased changes for me would include more buildings on Mirror Bay, additional flank options on Interlinks (perhaps some form of staircase from the spawn door leading to the roof? :).) and Collosus access for high tier artillery.
Feedback much appreciated, upvotes too <3

so me and my friend were exploring an ancient city and found this thing under the center structure. i fell while trying to cross the little bridge and saw skulk opening and closing? inside there’s a bunch of little rooms all testing out redstone. i don’t know if this has been found before and i’m sorry if it has but i figured it would be worth it to mention
i would post pictures but i can’t do that and post the text so i might make a second post and link it somehow sorry :((

https://www.ebay.com/itm/165996926160
Trading Card Collection For Sale: NBA, MLB, NFL, NHL, Sports Illustrated for Kids, Marvel.More than 700 trading cards for sale, including rare and rookie cards, that range from good to excellent condition. My collection leans more NBA, SI for Kids, MLB and Marvel, with a few NHL and NFL cards as well. None are graded, but the vast majority have been well kept in protective sleeves in hard binders for years. Most cards would likely grade ~6, while several of the rookie & limited edition cards in sharp condition may grade at an 8-9.
The collection is something I'm very proud of, but also ready to move on from. I would like to sell the entirety of my collection in one purchase. Mavin.io has valued my total collection at $4,300, a value that is based off prior eBay sales of the same ungraded cards in similar conditions: https://mavin.io/jonathanehecht3334. Honestly I am unsure as to their exact worth, but the rarer ones - e.g. the Sports Illustrated for Kids Tiger Woods, Kobe Bryant Rookie, Shaq Rookie, Allen Iverson Rookie, Sports Illustrated for Kids Cassius Clay, etc. - would likely fetch a great value if graded.
Manufacturers include: Fleer, Fleer Metal, Upper Deck, Upper Deck Collector's Choice, SI For Kids, Topps, Donruss, Four Sport, Skybox, Stadium Club and Marvel. Feel free to message me for more details, including an itemized description in .csv format of each card with assigned value from Mavin.io.
I've included a few pictures of the cards in sleeves to showcase just some of the hundreds of cards I am selling.
Hope to find these trading cards an excellent home!

Trading Card Collection For Sale: NBA, MLB, NFL, NHL, Sports Illustrated for Kids, Marvel.
More than 700 trading cards for sale, including rare and rookie cards, that range from good to excellent condition. My collection leans more NBA, SI for Kids, MLB and Marvel, with a few NHL and NFL cards as well. None are graded, but the vast majority have been well kept in protective sleeves in hard binders for years. Most cards would likely grade ~6, while several of the rookie & limited edition cards in sharp condition may grade at an 8-9.
The collection is something I'm very proud of, but also ready to move on from. I would like to sell the entirety of my collection in one purchase. Mavin.io has valued my total collection at $4,300, a value that is based off prior eBay sales of the same ungraded cards in similar conditions: https://mavin.io/jonathanehecht3334. Honestly I am unsure as to their exact worth, but the rarer ones - e.g. the Sports Illustrated for Kids Tiger Woods, Kobe Bryant Rookie, Shaq Rookie, Allen Iverson Rookie, Sports Illustrated for Kids Cassius Clay, etc. - would likely fetch a great value if graded.
Manufacturers include: Fleer, Fleer Metal, Upper Deck, Upper Deck Collector's Choice, SI For Kids, Topps, Donruss, Four Sport, Skybox, Stadium Club and Marvel.
Feel free to message me for more details, including an itemized description in .csv format of each card with assigned value from Mavin.io. I've included a few pictures of the cards in sleeves to showcase just some of the hundreds of cards I am selling.
Hope to find these trading cards an excellent home!

https://youtu.be/53sSOqThO2A
The Meaning of Right Samadhi by Ajahn Nyanamoli Thero (a Hillside Hermitage Dhamma talk no.284hh transcription)
Ajahn Nyanamoli: Could you give me a mundane example of samadhi (composure)?
Q: The inability to be disturbed by disturbing events.
Nm: Like when someone is in a good mood throughout the day, they are not affected by bad or disturbing events.
The reason why I’m asking this is because it’s not just the composure of an idea (it is partially). But that idea implies emotional composure as a background of it. So, a mood would be an example. Equally, someone’s mind can be composed in a bad mood. This means that even good things would annoy and irritate them.
Q: Anything that happens comes within that bad mood. Everything has a disagreeable baseline. Or an agreeable baseline if they’re in a good mood.
Nm: Yes. Do people have a say in their moods?
Q: No. You can’t change it. It presents itself on its own.
Nm: That’s true on that level. Can you think of another level in which a person does have a say in their mood?
Q: Putting oneself in a good mood is possible. As an example, reminding oneself of how fortunate one is compared to others. Doing certain things, and reflecting in certain ways, keeps my mood from getting bad.
Nm: Yes. The moods are indeed phenomena on their own. However, are you allowing your wild mind to go where it wants? When that happens, moods get depressed and agitated. Or are you trying to restrain it? As a result, you will feel happier and lighter. Therefore, you do not control the phenomenon of mood being present, but you do control the indirect cultivation of that mood.
As the Buddha said, even if one lives a non-celibate life, i.e. a householder's life, but frequently recollects the Buddha, Dhamma, Sangha, and their own virtue, then he will gain a pleasant abiding, a good mood - a kind of samadhi right now. When the mind is directed toward reflecting upon certain values, it becomes composed in that direction. So, day after day, you want to make a practice of reflecting upon the right things, even when you don't feel like it.
If you want a higher pleasant abiding, that will require more restraint, but it boils down to frequent remembrance and reflection. That is what will incline the mind. Whatever one frequently thinks about, that’s where the mind is inclined to go. Is it sensuality or non-sensuality? Is it irritation, fault finding, ill will, or non-irritation, non-fault finding, non-ill will? One direction inclines to suffering and the other does not.
On one occasion...The Blessed One said this: Bhikkhus, before my enlightenment, while I was still seeking enlightenment, it occurred to me: Suppose that I divide my thinking into two classes. Then I set on one side thinking pertaining to sensuality, aversion, and cruelty, and I set on the other side thinking pertaining to non-sensuality, non-ill will, and non-cruelty.
As I lived thus (in solitude), diligent, persistent, and vigilant, sensual, (aversive or cruel) thinking arose in me. I understood thus: ‘This class of thinking leads to my affliction, to others’ affliction, and the affliction of both; it obstructs wisdom, sides with difficulties, and leads away from Nibbāna.’ When I considered this, that type of thinking subsided in me; Whenever sensual, (aversive or cruel) thinking arose in me, I abandoned it, tamed it, and brought it to an end… …Bhikkhus, whatever a bhikkhu frequently thinks(vitakka) and ponders upon(vicara), will become the inclination of his mind. If he frequently thinks and ponders upon sensuality, he has abandoned the thought of non-sensuality to cultivate the thought of sensuality, and then his mind inclines to sensual thinking. If he frequently thinks and ponders with aversion, he has abandoned thinking with non-aversion…or if he frequently thinks and ponders with cruelty, he has abandoned thinking with non-cruelty,...and as such his mind inclines to those unwholesome directions. - Mn19
Recollection versus Concentration
How is recollection different from concentration? What is concentration in mundane terms?
Q: It's all about honing in on something specific at the expense of everything else. For example, playing the piano or being completely immersed in something that absorbs all your attention. The piano is something you have to focus on, and if you lose focus for a moment, you'll make a mistake.
Nm: Basically, it's all about paying attention to what's in front of you. Does that differ from recollection and composure?
Q: Yes, because concentration depends on the object that you are focused on.
Nm: How? Where is the dependence? Because you could not care what you are concentrating on, but practice concentration on, for example, anything that comes into your field of attention.
Q: It depends on that object staying the same and not going away. Because if you are concentrating on anything that comes into your field of attention then you wouldn’t call that concentration, because it would be diverse. It would be any type of object.
Nm: But that’s my point. Does it matter what object it is in order to define concentration? Concentration is what you do. So, you could concentrate on any object that comes your way, and still practice concentration. Even if there are different objects. Can you concentrate on 'themes' or the nature of things?
Q: No.
Nm: So, what’s the difference then?
Q: Concentrating is paying sole attention to a thing. Whereas recollection is more about discerning the background or context of one's attention.
Nm: You could say, in mundane terms, that when you concentrate, you are doing it, you are intentionally attending to a specific thing. But when you are recollecting, you are remembering the context in which a thing has presently arisen. You are not doing that context, you are remembering it, as opposed to concentration which is an act that you choose to do, which is at the expense of the bigger picture - the context. Concentration is concerned with content, whereas recollection is the discernment of context.
Recollection then is not about trying to focus on something particular. But rather about remembering certain contexts so that the mind becomes composed in them.
Q: Developing such composure is done indirectly.
Nm: Exactly. By recollecting certain contexts the mind will be encouraged in a specific direction. For example, seeing the danger and lack of satisfaction of attending in the wrong direction. If you sustain these themes, then the mind will turn away from the wrong direction. And why can’t you do that with concentration? Why can’t you just concentrate on your mind and make it go that way?
Q: Because it’s not an object that you can attend to.
Nm: Exactly. Some people think that they can concentrate on their mind. However, you don’t see your mind when you’re concentrating with it. It’s not a sense object.
Q: It’s always before.
Nm: Exactly. In the same sense, if I were to be looking at visual things, I couldn’t see my eyes there. That is impossible. Or feeling tactile sensations, to see my body there. That is impossible. The body is the background. The body is the organ because of which you sense sensations.
Do you think concentration can be helpful in practice?
Q: Initially it is needed for reading the Suttas and getting information.
Nm: Sure, attending to the right things is important. However, I'm referring to concentration as a practice. Is that beneficial?
Q: Yes. If the mind is inclining toward unwholesome things, it could be helpful to intentionally direct it toward more wholesome things.
Nm: When one is concentrated, is it possible to discern what is wholesome or not?
Q: Some things are obviously unwholesome.
Nm: But while being concentrated, do you have the possibility of discerning whether you are attending to something wholesome or not?
Q: Not by virtue of concentration. If you could, it would be at the expense of concentration.
Nm: What is the point at which attention becomes a concentration practice?......when recollection is lost.
You have no choice but to attend to things. Nevertheless, you can learn not to over-attend and overlook the context, meaning, and background of whatever you are currently attending. The background is where your intentions are. And that context is what tells you what is wholesome (I can allow it to be attended further) or unwholesome (I should not welcome it, not delight in it, and make sure I don’t attend particular signs and features that will increase these states). Attending only to the content means ignoring the context. So, ironically the concentration practice is directly opposite to the samadhi practice. The composition of the context is samadhi. Recollecting things rightly, that then sustains and inclines your mind in a certain way. Concentration means overshooting the mark and abandoning the context - even if it’s concentrating on good things. That’s why the whole practice is to learn how not to overshoot (concentrate) or undershoot (ignore, deny). Attend to something, but don’t let it become a focusing concentration practice, because you cannot possibly do that and at the same time discern the background context of your intentionality, the meaning, and the mood behind all of that.
Right Recollections, Right Composures
Can you give some examples of the right composure and right recollection?
Q: Seeing the body as the present background context, whatever one is doing.
Nm: How would you see that?
Q: Don’t be too involved in what you are doing.
Nm: What constitutes ‘too involved’?
Q: Concentration in the way we just described.
Nm: So, abstaining from concentration. Would that then reveal the background?
Q: Not necessarily.
Nm: So, back to my original question. How do I reveal the context or background?
Q: As the Suttas say, be aware of what you are doing. Not in the sense of the actual object of activity that you are doing, but what your body is doing in general. In the sense that ‘I’m sitting’, ‘I’m walking’, ‘I’m lying down’, ‘I’m standing’ – as a way to indirectly notice the fact that, no matter what you’re engaged with, your body is always there as the background image.
Nm: How would I prevent that from becoming my concentration object?
Q: To understand that the body we are talking about now cannot be seen as a sense object.
Nm: Yes, so how do you understand that?
Q: Frequently reflect and ponder on it.
Nm: And to frequently reflect and ponder on it, what do I need?
Q: To not forget the theme.
Nm: Where do I get the theme from?
Q: From studying the Discourses.
Nm: Yes. You learn about the themes that counter your whole experience. The normal tendency is to attend to what’s right in front of you. That’s the definition of sensuality in general. Your being existing on the level of sense objects. That’s the measure of what’s real. So then whatever you come across, you make it an object by overly attending it - Ayoniso manasikara.
In this case, you'll learn the right things, but you'll still make them objects of your attention. By studying, hearing, recollecting, discerning, and reclarifying, however, you will be learning how not to. Consequently, you need to abandon all of your wrong views (that require certain degrees of attention, concentration, assumptions of sense objects, etc.) to maintain the right composure, and the right establishment of the mind. The right view is therefore essential. So, we’re back to what we always say. Without the right view, you cannot get the right samadhi because it isn't a technique. You cannot become accomplished in it by following a set of mechanical instructions. It’s the discernment of and anchoring in the right context, the right mood. The mood of a neutral feeling that’s not perturbed by pleasant or unpleasant, by agreeable or disagreeable.
When you study the Suttas, you will be able to get a better sense of context and themes. It won’t take that much study to see that that’s what the Buddha was often talking about.
How do you incline your mind towards wholesome and take it away from unwholesome? Not by watching your belly movements, nostrils, or the soles of your feet. But through your active thinking and reflection, you sustain these values by pondering on potential dangers, potential perils, lack of satisfaction, and benefits. That's what the first jhana is - a comprehension born of active thinking and pondering that is fully withdrawn, separated, and gone beyond sensuality.
Q: It takes effort to understand what the Suttas are genuinely saying. You have to be willing to question your assumptions about these things because you start from a position of ignorance and wrong view. Everything is misunderstood. One has to consider that there is another way to pay attention to things, a peripheral attention.
Nm: Yes. It is learning how to attend correctly because you start by over-attending everything. Or not attending what you need to attend. Either ignoring or over-attending. The Middle ground of it is awareness of attention and its context, its origin, its womb (yoniso). That needs to be discerned and learned first; sustained; endured; and then recognized for what it is. And then, yes, you can cultivate it. But even then, it won’t become an object of your cultivation, in that concentration sense. Even though, in the broadest theoretical sense, yes – it’s a phenomenon, a theme, an object that you can think about.
Q: It’s an indirect way. Not directly wanting to change what is in front of you but changing the context.
Nm: Yes, you guide or encourage your mind to follow certain paths. Just like you can create pathways for the water to flow in a specific direction.
Right Context
What are some examples of the right context?
Q: The danger of craving or sensuality. The benefit of restraint and virtue.
Nm: Yes, it is important to repeatedly consider the dangers of non-virtue, sensuality, and ill-will, even if you are virtuous and sense-restrained. That's how you'll cultivate those right themes. As far as external actions are concerned, there is nothing more you need to do. You don't need to be adding new rules and random observances. By actively thinking about certain themes, one cultivates the right samadhi based on unbroken virtue. Setting the mind on the right path.
Q: Recollecting your virtue and experiencing the joy of that, the body becomes calm, and the mind becomes happy. That is the composure that leads to knowledge and vision.
Nm: Exactly. Your body will become calm and agreeable as your mind is calmed and made agreeable by having directed it to certain moods and themes. Samadhi then is a result of the right recollection, right thinking, and right evaluation - right vitakka and vicara. And anyone can sit for periods of each day, and make their mind think about these themes and values. If you spend a few days building that up, the right mood will begin to persist and gather momentum.
Losing Composure
Q: Let's say somebody says something to you and you get angry. In frustration, you lose your samadhi. How should you proceed?
Nm: The first recognition is that if you got actively angry, you didn't have samadhi in the first place. If you were cultivating these themes and actively reflecting upon them, you wouldn’t give in when anger arises. And you would see that difference now. If you have gone on a long-distance mental journey in a good direction (of non-anger) and somebody from a bad direction comes and tries to entice you. Yes, it might make you turn around and start walking a bit in that direction. But it’s still quite a walk to go back into the bad domain - actively getting angry. And you will see that.
You will gain confidence because of that, thinking, "I don't need to panic and start fighting with the mind. Yes, it got a bit distracted. However, let me endure this thing that’s trying to take my attention through sensuality or anger and, instead, keep cultivating the same indirect themes, cultivations, and contexts." The further the mind goes in that direction of abandonment and seclusion from the unwholesome, the harder it will be to get disturbed by things that are at a vast distance away. So, if you have spent a few days thinking about these contexts and you still end up angry over something, it means you need to spend more time cultivating the right context. Each time you develop the right reflection and recollection – constantly thinking about those values – the mind is travelling a little further in a good direction, and it will continue to do so for as long as your virtue and sense restraint remain unbroken.
You have to resist the urge to deal with your anger head-on. Because that will require abandoning the context and entangling yourself in the content to try to get rid of it. That’s why I keep saying that most contemporary meditation practices are rooted in aversion and sensuality. Trying to get rid of things that bother you and replacing it with a sense pleasure - 'antidoting' this with that. Which requires you to abandon the context or not have it to begin with.
This is how you protect your samadhi. Recognizing where the importance lies. Reflecting on what you value. Thinking about the dangers of losing those values and having the mind return to states that are unbeneficial. Remembering all the joy, lightness, and clarity you got as a result of establishing the right mood. Recollecting the fact that the things that used to make you furious or lustful haven’t moved you now, and if you forget about that, your mind will slowly drift back into those unwholesome domains. Unless, of course, those impurities have been fully uprooted.
There is no need to fight things directly. All you need is virtue, sense restraint, solitude, and an active practice of thinking about and reevaluating these wholesome themes. And when that practice becomes dry and the mind starts getting distracted, it's not about finding something new to do. It’s about finding ways to rekindle the same things – until the mind has travelled far enough away from unwholesome pastures and burnt all bridges whereby it's impossible to return.

Ok 1st off I’m not completely oblivious to the whole thing. My kid has taken a big liking to football (he’ll be with any team tyreek is on 🤣) guy at work suggested donruss just because he gets a lot of cards. He said almost every pack will have like 15 common and 2 rookies and a “special” card. He explained the top special hits are crunch time and downtowns, but not to expect either. He showed me pictures of them and those downtowns are a cool looking card to me.
We opened them tonight and for the “top hits” we got 3 crunch times (brees, Rodgers, mahomes.) and 1 downtown of gronk 💪!
So now im kind of into this thing lol and have a few questions.
Can you pull numbered cards from target/Walmart? We did not pull any.
I understand there’s different names for things hangers/blasteretail/hobby that I’ve seen… I assume ratios are different? Like do I have better odds hitting, in this case a downtown, from a hobby box?
Is there a standard price difference between a hobby and a retail? Once again I assume im paying a premium for better odds. Target/Walmart is $25/$27.5 a box (of this brand) in my area.
I bought him these to get him a jumpstart on a collection, he’s off to the races imo lol. After opening them all I kind of browsed eBay and I could buy most of the “special cards” way cheaper than I paid and he’d get to choose the players. Flip side though is Not buying retail eliminates the element of surprise, the joy from pulling a top hit from him was priceless.
And lastly - as I said we’re completely new to the hobby, is there any sets you should just avoid per bad quality or reputation - or is it just personal preference on appearance?
We appreciate any information 👍

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This story contains existential material some readers may find distressing. Please be advised.
​
—
​
Nine o'clock on the dot on a Sunday morning, James Newton put on his suit and tie—tweed and checkered yellow, the ones he wore to his parents' funeral—and spent fifteen minutes in front of the mirror psyching himself up. "Come on, James," he urged his reflection. "A miracle, that's what you need. Gimme a miracle, somethin' that'll make this whole thing go away!"
He told himself that, and he got excited for the good news he would surely receive, and he got ready to go out the door. Three times he did this, and right as his hand touched the knob, he suddenly found he had to go back for another go at it.
Eventually, though, there was only so much psyching up he could muster. He finally left his apartment, walked down many flights of stairs, and got on his way walking down the street to his appointment.
It was a beautiful day. The sky was clear of any clouds or smog, a rare thing indeed, and the sun was merrily shining. Birds chirped, though their song was somewhat obscured by the roar of passing aeromobiles as they zipped by in the skyways. Below, where roads were needed no longer, the people were out and about on the promenade in their Sunday best, going about their business and having a grand old time.
James fit right in, a smile plastered on his face and a nod for everyone he passed. He swung his arms easily and let his gait fall into a comfortable strut, and no one would suspect a thing was wrong; no sir, no one at all.
James' path took him right into the heart of the city, where buildings rose to two and even three stories tall, brick-built all of them, with a marble state building here and a library there, and the sky was filled with aeromobiles. Trees grew in their little holes in the center of the promenades, and small gardens and parks littered the places where parking lots used to be. A flock of pigeons pecked at the ground around the garbage bin for people's leftovers. James scattered some crumbs from his pocket that he'd prepared just for them. "Good will to all the world!" he said heartily to the flying rats. "Good will, or who knows what might happen? Ha ha!"
His destination was a private practice in the middle of a lot park, fenced in with a tree in each corner, ferns and vines imported from somewhere stretching from leafy branch to leafy branch. The building itself was brick, of course (God's chosen building material, that), and space enough for only one corridor and three rooms—a waiting room, the good doctor's office, and the operating room. Humility was all anyone needed these days, and by God the owner of this establishment was practically drowning in it.
James pushed through the glass door into the waiting room with gusto. "Morning, Caroline!" he greeted the secretary by her desk. "I'm here for my appointment!"
She smiled up at him. Caroline was a sweetheart to be sure. "Hello Mister Newton," she told him. "The doctor's in if you want to get to it. You know he doesn't have anyone else to see."
"That I do, miss, that I do." James unbuttoned his suit and went to hang it on the coatrack in the corner. "Don't mind if I leave my jacket here, do you, Miss Caroline?"
"Please do!"
"Thaaank you kindly." James cleared his throat. "I'll just be on my way back then!" He stepped back into the corridor and strode to the good doctor's office with a whistlin' tune and readjusting his tie. Good thoughts, James, he reminded himself. Good thoughts and good will only, and you're sure to get good news in return!
—
"I'm terribly sorry, Mister Newton." The good doctor's voice was tinny and cool as his steel exterior. "Your diagnosis has not changed. I predict you have six months to live, possibly less."
James couldn't look at him. He couldn't look anywhere 'cept the linoleum beneath his best brown dress shoes. The ones he wore to his parents' funeral.
He didn't know if he could speak. He tried anyway. "I thought—" He swallowed the frog in his throat. "I thought I was gettin' better."
The good doctor leaned forward across his desk, his metal hands folded in front of him. "Mister Newton, I'm sorry if I gave you the impression that your chances were good, even probable. The truth is that very few people with your diagnosis live long after symptoms begin to appear, and you are well on your way to showing symptoms. I believe you were told—"
"I remember," James said hoarsely. He chanced a look at the wall to his left, then had to look away again. It had a poster of a cat hanging to a branch that said, Hang in there! in a speech bubble. It didn't make him feel better.
He tried looking at the good doctor instead. That was a mistake as well; James couldn't help it, and he knew it weren't fair, but something about the doctor's unmoving expression and cold lamplit eyes gave him the chills something awful.
He looked back down at his shoes. "What can I— what can I expect?" His voice wobbled. "Is it gonna hurt? When the symptoms start showing up?"
"Oh, I imagine so," the good doctor replied. He stood and went to pull a projector screen from its holster in the ceiling, as wide as man's wingspan. The doctor touched something at the top, and graphs and timelines filled the screen. It was one of those special screens; the ones that didn't need light shining on them to show pictures.
"See here," the doctor said, pointing to one of the graphs. "Around this time, about a week from now I'd say if my projections hold, your throat will begin to constrict and lose some of its elasticity, making it harder to breath and swallow food and drink. It will only take a week more before you're completely unable to do either. I suggest seeking hospice before then, the medical professionals should be more than capable of providing equipment that can ease the burden on your body to perform these functions. During this time, however, you'll have these symptoms to start looking out for as well…"
The good doctor's voice blurred and became background noise. James clenched his hands tighter and tighter together between his knees as the robot droned on and on about the terrible, painful things he would endure before he finally died.
Good things, James, he thought to himself desperately. Good will and good news will come to you eventually. Good will and good news will…
But the good doctor just kept droning on.
—
The drink plunked down on the bar before him. "There you are, chum, your fifth Molly's Got It All of the night! You sure are looking to forget something fierce, aren't ya?"
James pushed up his head and looked at the robot serving drinks at an awkward angle. The bartender's voice was just as unnatural as the good doctor's; only, where the doctor was cool and neutral even with a scalpel in hand and a terminal diagnosis in his processor, the bartender was painfully, infinitely cheerful.
He took his drink and swallowed half of it. "Thanks barkeep," James slurred. "Y' really know how to take care of a guy." He sluggishly raised his glass in celebration, but the bartender had already moved on to the next customer, that tinny, unnatural cheer stabbing James' ears.
He shook his head and scoffed into his glass before he took another drink. Good news and good news and good news.
"Bartender's right," a voice to his left said. A human voice, teasing. "You really are lookin' to forget."
James listed that way and looked at the person up and down. The lady was dressed in oversized overalls, big black construction boots and a button-up beneath it all, flatcap pushing her unruly curls into submission. Construction worker chic. She had a smile on her face just shy of a smirk.
James looked for a moment more before grunting and turning back to his drink. "I got my diagnosis back today," he said, not caring who heard. "I'm on my way south."
"Aw, shoot," the woman said sympathetically. "Well that's too bad, I'm sorry to hear it."
"Yeah." James polished off the last half of his drink and raised his hand to get the bartender's attention. "Same thing that killed my daddy." And my mama, he added in his head, but she din't have the same disease. Naw, it was his daddy dying from it that killed her. She couldn't live without him.
"Nothing the doc can do?" the woman asked gently as the bartender came over.
"Naw." James ordered another Molly's Got It All. Dangerous, he knew, but he was already going to die, so he might as well splurge. No one to take care of at home, no one to take care of him, so he din't have to care.
"You be sure to drink some water now, friend," the barkeep said even as he made a new drink and set it before James. "You're deep in your cups now."
"Yeah, yeah." James waved the bartender away and sipped from his sixth Molly before realizing the woman was still looking at him. "What?" The question came out ruder than he meant.
Her eyes sparkled in the low-key bar light. "I find you interesting." Her smirk stretched into a smile of the same kind.
James flushed. He liked her attention, but… "Sorry," he said, looking into his cup. "I don't think you want to get mixed up with me. Dying and all."
"Oh, who said anything about anything?" the woman dismissed. She scooted her stool closer to James' and leaned her chin on her hands, looking at him with that smile of hers. "Annabelle," she introduced herself, "if you'd like to know. And if you'd want to return the favor…" she trailed off expectantly.
James flushed deeper and found himself smiling back. "Jem—" He cleared his throat and tried to focus his drunken brain. "I'm James." He thrust his hand towards her for a handshake without thinking about it and felt stupid.
Annabelle looked at his hand with raised eyebrows, then took his hand in hers and shook it. "It's very nice to meet you, Mister James," she said in a serious tone. It was the twinkle in her eyes what betrayed her. "Now why don't you tell me what's going on?"
—
They talked for hours after that. Well, James talked, mostly, but whenever he tried to direct a question at Annabelle she returned the prompt to him, asking a deeper, more thoughtful question than a heavily inebriated man could come up with, so of course he went along with her. They talked so late nearly everyone else had gone, but there were no closing hours courtesy of the barkeep, so there was no rush. James couldn't get anymore Mollys after a time, though, owing to the alcohol limit law programmed in the bartender's processor and all.
But he didn't care. He was enthralled with Annabelle and her thoughtful questions and her genuine interest in him. At least, she seemed genuine, but James was too drunk to tell. All he knew was that it felt nice to have someone to talk to, finally.
And he did talk a lot. He told Annabelle things he hadn't told anybody, alcohol loosening his lips. He talked about his mama and his daddy, his childhood home out in the boonies where they didn't have no aeromobiles or robot doctors, his friends growing up and the games they used to play. He talked about school, and neighbors, and hopes and dreams, and sorrows, too.
He told her about his parents' deaths. That wasn't the first or last time he'd cried that night. He told her about his daddy's affliction, the thing what put him in the grave, and the thing that would put him there too. "It was so hard, watchin' him those last few days," James said, wiping at his eyes with his sleeve. "He couldn't get out of bed, with all those tubes in him and what not, and he couldn't talk, obviously, and Mama couldn't stand it either even if she didn't say so, but the doctors said, they always said, 'It's our oath to help people, ma'am, if there's even a percent of a chance we can save them.'" He shook his head. "My mama used to say to that, she used to say," he gave a snort of amusement, "'doctors: they're gonna help you, even if it kills you.'"
Annabelle smiled at that and rubbed his back. She'd gotten real close to him over the night's conversation. So close James could feel her there even when he wasn't lookin'. It made him flush and blush and gave him the butterflies, the amount of attention she was giving him. Thoughts of his impending demise were banished by her wonderful smile.
He didn't want her to go away. He didn't want to think about death again. "Hey," he said hesitantly, wondering if his request was appropriate. "D'you think… well, do you think we could—"
Annabelle smiled wider and put a hand on his arm and gave it a squeeze. "Honey, I was thinking the exact same thing." She patted his hand. "Just let me freshen up in the ladies' room and we can get going, yeah?"
James' heart leapt into heaven. He agreed enthusiastically, and Annabelle slipped off her stool and went into the back to the ladies' restroom, leaving James by himself positively brimming with joy.
Ten minutes went by. Then fifteen. Then twenty.
James started to get anxious. He wanted to go and check on her, but, well, was that too much? The bartender asked him if he wanted to pay his bill, but James distractedly said he'd pay while he was heading out with Annabelle.
Thirty minutes passed. Forty.
"Y'know," he said aloud, mostly to himself as he got up from his seat, "I think I will check on her, y'know, in case something happened to her." He wouldn't go in, obviously, but he could always knock, right? So James went to the back of the bar and knocked on the door to the ladies' room. "Annabelle? You okay in there?"
There was no answer.
James' fear peaked. "Barkeep," he called, "can you check the ladies' room with your sensors? I think my friend might be hurt."
The metal man behind the bar looked up from the glass he was polishing. "I'm sorry, mate, I didn't want to say anything according to how much I saw you enjoying her company, but I'm pretty sure your lady friend up and booked it from my establishment almost an hour ago. My scanners are only picking up one body signature, and that's yours." Analytical words, all spoken with the stupid cheer of an empty-headed tin man.
Fear became disappointment. "You sure?" James asked, hoping against hope.
"Scanners don't lie!" the bartender replied.
Peachy. Just excellent. Good news and good news, James thought bitterly. Crestfallen, he slumped back to the bar and sighed, "Guess I'll pay my bill, then."
"Right-o!" The bartender whipped over to the cash register and waited for James to sullenly follow him there.
He reached into his suit pocket. Then his other one.
Where was his wallet?
"Something the matter?" the bartender pipped.
James couldn't handle the robot's overly happy voice right now. "Yes, just—give me a moment," he nearly growled, reaching inside his suit jacket to the pocket there.
Nothing. He patted his pants and the back of his pants. Nothing. James crouched low to look at the ground beneath his stool and nothing. "I—" He didn't know what to say. He'd had his wallet walking in. Had to; needed his worker card to get served. Where could it have—
By now the alcohol had worn off enough that James could mostly use his brain. He put two and two together and realized what had happened. "I'm sorry, but I think my wallet was stolen," he told the bartender, stricken. He hadn't noticed; but of course he hadn't noticed. He'd been drunk. Very drunk. And Annabelle had known that, if that was even her real name.
"Well, I'm sorry to hear that!" Again, the unnatural cheer, especially considering his next words. "And I'm sorry to say that if you can't pay, I'll have to be calling the sheriffs!"
"What?" James stared at the bartender. "I can't just open a tab and pay it off later?"
"Sorry, no can do!" The robot was already moving towards the rotary phone on his side of the bar. "My processor isn't powerful enough to retain information longer or more complicated than my regulars' names and the laws I was programmed with, and I'm afraid I wasn't programmed to read or write! If you want to blame anyone, blame the Howie Blayton Manufacturing Company!"
Good news and good news and good news. James felt a horrible sinking feeling in his stomach. Stranded in the local detainment center while his body collapsed in on itself? No way!
"Hey there officer!" the bartender said brightly into the transmitter. "I'd like to report a miscreant here at—hey, where are you going?"
The door was already closing behind James as he fled into the night.
—
He ran until he was sweating through his nice tweed suit and breathing so heavy he wheezed. He hadn't made it as far as he would have just weeks ago. It felt like his throat was caving in.
James looked around. He was standing on a little bridge that spanned a creek to a forest path, an overgrown jungle of a place. The grass was so long it hung from the lip of the creek bed to the still water below.
He was still in the heart of the city, but the roar of aeromobile traffic was far away. He must be at the edge of one of the city's massive replanting projects.
He sat down heavily on the bridge, letting his legs dangle. Good news, his mama always said. Good thoughts and good will, and good news will come to you. She said that while daddy was sick in bed and she sat by his side. She never left his side, really. James had had to work double shift at his delivery job just to keep things afloat, there.
And now he was soon to be right where his daddy was, and no one like his mama would be there for him.
James thought he had cried all he could cry that night, but tears began to form in his eyes and spill down his cheeks nonetheless. He put his face in his hands and let the sobs wrack his aching throat once again.
As he cried, a secret memory unearthed itself in James' mind. It was a memory from long ago, back when his daddy was dying, on one of the rare moments his mama left to go to her job and take care of things on her own instead of relying on James. James, like his mama, barely left his daddy's side when he could manage it.
And on that day, while his mama was far away, James watched as his daddy suddenly began to thrash and writhe, flinging the tubes in his mouth and his stomach and his private parts every which way, his eyes rolled back in his head. Little ten-year-old James didn't know whether his daddy was awake or half-comatose, but he knew he was scared, and he couldn't be scared. Scared weren't a good thought, and James needed to think good thoughts.
So he tried to calm his daddy by telling him how brave he was, how everything was gonna be alright and mama would be home any minute—but his father couldn't hear him.
"Shauna!" his daddy shouted, voice obscured by the tube jammed down his throat. "James! I can't see, Goddammit—Shauna! Shauna, where are you?!"
James was terrified. He reached to grab his daddy's hand before remembering that he couldn't touch him 'cause it would hurt him. "Daddy," James cried. "Daddy, it's alright, I'm here!"
"Shauna! Shauna!" Tears were rolling down Daddy's cheeks, his unseeing eyes staring terrified at the ceiling. "Shauna!" he sobbed. "Shauna, I'm scared! I'm scared!"
"No!" James shouted over his daddy. "No, you can't say that, daddy, good thoughts! Only good thoughts, you gotta—"
His father's thrashing grew more violent as he continued to be unable to hear his son. One of the tubes lashed James across the face, and he fell to the ground screaming. On the floor, James could only see the writhing blankets and the occasional flash of a hand, all while his daddy sobbed and screamed like a child having a nightmare he couldn't wake up from.
Mama came home to find James sobbing on the floor and her husband dead under the covers.
A secret memory, and a secret fear. James remembered the terror on his daddy's face as he died. He remembered his father's blindness, his father's deafness, all caused by his disease. He remembered his father, unable to be touched, machines surrounding him, nothing anyone could do for him.
James remembered his daddy crying for his wife, unable to tell that his son was right next to him. Even with someone there, his daddy had died alone.
Alone. And there was nothing anyone could do.
James clutched at his hair and breathed through gritted teeth. He didn't want to die alone. He moaned in fear, his teeth chattered, he rocked himself back and forth on the edge of that little bridge. He didn't want to die alone.
But he would. Even if he wasn't, he would die alone, and all the good intentions and good thoughts in the world wouldn't save him. Everyone dies alone. No one can share in your last moments, even if they're right next to you. No one will know, even if they care so much for you they'd die without you. You're trapped in your head until the bitterest end.
James wailed and beat at his legs with his fists and screamed at the unfairness. He didn't want to die alone!
"I don't want to die alone!" he shouted into the night. The night did not respond.
He continued to sob and scream and wail, all alone.

We had the Duravana Bay Bridge Oak from LL Flooring installed. It’s been about 3 weeks since installation (we’ve been dealing with family emergency) and are now just seeing the flooring for the first time. We noticed these streaks in about a dozen panels - they all have the same pattern, so these streaks are definitely isolated to that particular pattern. We’ve tried rubbing and cleaning with warm soapy water but it does not clean off. It is almost like a fluorescent streak with pink and purple tones to it. Any ideas of what this is and how to get rid of it. We are extremely annoyed at the installers for not bringing this to our attention during installation.

Reason for posting: This is probably one of the more talked about aspects of this book from the earlier summary discussions and I hope that by sharing the scene people will have a bit more context as to why and how things played out like they did on The Vengeful Spirit and why teleporting directly onto a ship that is sitting in what is essentially the open warp may not have been the best of plans.

The abrupt silence is shocking.
It puzzles Caecaltus Dusk for a second, until he realises it just feels like silence because he is so accustomed to the distant, constant drone of war.
At my post in the Throne Room, day after day, the far away rumble of warfare was so unremitting, I became inured to it, and inhabited it without regard. But here-
In a shiver, the background drone has gone, and only silence remains, a fossil imprint of missing sound.
The silence, the utter stillness, is tranquilising. Caecaltus feels numb. For a moment, the proconsul has to remember - actively, consciously force himself to remember - where they are and what they have come to do.
We have come to strike.
We have come to undertake the solemn business of war against-
Around him, the golden demigods of the Hetaeron company are silent too, as though they, like Caecaltus, are unnerved by the sudden quiet. None of them has experienced the thunderclap of their arrival, for the savage boom of mass and pressure displacement was over by the time they were fully materialised. Vapour drifts from their armoured forms, teleport energy dissipates like forest mist, and sparks of recorporealisation backwash circle them like fireflies.
Proconsul Caecaltus takes a step forwards. Companions advance around him, spears aimed. As they begin to move, transmaterial dust residue sifts from their plate like flour. They move quickly. They move silently. They move in perfect coordination, spears raised. They encircle the almost luminous figure of their king and master, ready to protect Him from-
What was I expecting? Anything. Everything. But-
There is no attack, no ambush, no host of warriors waiting to repel their boarding action.
If this is a trap, and the Praetorian Seventh son was so sure it would be, then it is either an odd one or a poor one.
The assault site selected for the spearhead is Embarkation Deck Two, and that is where they are. It is a vast chamber, part hangar, part launch tunnel. The distant mouth of it, a kilometre away, shows the cold blackness of space, held at bay by integrity fields. Caecaltus turns slowly, surveying the long plasteel flight ramps, where guide lights blink on automatic, the raised galleries and skeletal gantries, the side holding bays, the munition silos. Above them, the immense manipulator gears and ship-clamps hang like ornithological limbs, grasps empty. Around them, on the launch rails and standing platforms, the Stormbirds are rigged for preflight. There are eight of them. They are painted white, and marked with the emblems of the XVI Legion Luna Wolves.
I would have thought they might be re-dressed by now in their new traitor liveries. I am surprised, indeed, that there are any here. Were they not all deployed, long since?

Caelcaltus continues looking around the embarkation deck, noting inconsistencies with what should be there and what is, still no alarm has sounded and no one has come to confront them. The forces of Sanguinius and Dorn are also absent, but Caelcaltus is finding it harder and harder to focus. He notes that no one in the boarding party is communicating and his attention drifts whenever he thinks about signaling to others. Finally…

Where are we? I can't-
Caccallus looks at his warriors, silent, auramite giants stalking forward against the bathing whiteness of the deck.
Don't they feel it too? Don't they-
The lights on the launching ramp wink on auto-cycle, blinking a pathway to blackness.
Where are Dorn and the captain-general and my lord's beloved Angel? Where are their companies? What-
Everything seems slow. Like a dream. Like a heavy dream. The silence glides into him, oppressive, like the shadow of the void, the deep, cosmic mono-note of the celestial deeps.
Can-
Why can't I focus?
Caecaltus sees the main internal hatch, a bulwark of steel and adamantine. Embarkation Deck VIII is fusion-engraved across it.
My mouth is dry. I-
The Vengeful Spirit only has six embarkation decks.
Caecaltus should have noticed all of this. All of it. He was primed and alert, ready - perhaps readier than he has ever been - for the trial ahead of them. He should have noticed these discrepancies the second he arrived. But his mind is like sludge, like jelly-
I should have seen-
Caecaltus turns to look at Sentinel-Warden Kliotan at his right. He feels like he is moving in slow motion, suspended in thick fluid. None of them have spoken since their arrival. Whatever else might have broken the oppressive silence, their vox-link should be live.
There should have been immediate hortcode exchange and voice confirmation on arrival. My helm display is dead-
Only now, Caecaltus notices that too.
Kliotan turns to look at him. It is very slow. It takes a century for his crested golden helm to turn. Others turn too. The Proconsul's Custodians all turn to look at him. They are as slow as sap, as slow as continental drift, as slow as the very slowest setting of a pict playback. They turn to look at him-
No, not at me. They are all turning to look at the Master of Mankind-
Blood wells from Sentinel-Warden Kliotan's eye slits and trickles down his faceplate like tears. It oozes and runs from the snarling mouth of his sculpted visor.
What is this-
It runs from the eyes of all the warriors around them. Caecaltus feels himself weeping blood too-
What's happening-
The slow silence ends.
Suddenly, there is nothing but screaming. Suddenly, the world is a blur of lightning-fast movement.
They come for Him. Weeping blood and shrieking, the Master of Mankind’s own guardians come at Him from all sides.

So there you have it, Custodians turning on the Emperor of Mankind. Does it feel earned to you? Personally I love this scene and think it’s a fantastic way to show just how drenched in the warp the Vengeful Spirit has become and how much control over it Horus has. I’ll be posting some more excerpts covering the fight between the Custodians and The Emperor, The Emperor siphoning off raw warp energy for power, and Horus rattling off the impressive daemon guest list he has for this little party on Terra so keep an eye out!
Edit: formatting problems

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Boxtrolls, The (2014) (iTunes/HD) $4.75
Boy Next Door, The (2015) (iTunes/HD) Ports to MA $5.25
Boy, The (2016) (MA/HD) (iTunes/HD) $3.75
Brahms: The Boy II (2020) (iTunes/4K) $2.75
Brave (2012) (iTunes/4K) $6.50 (GP/HD) $4.50
Braven (2018) (Vudu/HD) $3.50
Breakfast Club (1985) (MA/HD) (iTunes/HD) $5.25
Breakfast Club (1985), Weird Science (2008), Sixteen Candles (1984) (MA/HD) $11
Break-Up, The (2006) (MA/HD) $3.25
Bridge of Spies (2015) (MA/HD) $5.50 (GP/HD) $4
Bridget Jones's Diary (2001) (Vudu/HD) (iTunes/HD) $4.25
Bring It On (2000) (MA/HD) $3.25
Bring It On: Worldwide #Cheersmack (2017) (MA/HD) $3.25 (iTunes/HD) $1.25
Broken City (2013) (MA/HD) $3.50 (iTunes/SD) $1.25
Bros (2022) (MA/HD) $6.75
Buffy, the Vampire Slayer (1992) (MA/HD) $5.75
Bullet to the Head (2013) (MA/HD) $3.25
Butterfly Effect, The (2004) (MA/HD) $3.50
Buttons: A Christmas Tale (2018) (Vudu/HD) (iTunes/HD) $4.50
Bye Bye Man (Unrated) (2017) (iTunes/HD) Ports to MA $2.50
Cabin in the Woods (2012) (iTunes/4K) $2.75 (Vudu/HD) $2
Cantinflas (2014) (Vudu/HD) $5
Captain America: Winter Soldier (2014) (MA/4K) $7.50 (iTunes/4K) (MA/HD) $6 (GP/HD) $2.25
Captain Underpants: The First Epic Movie (2017) (MA/HD) $3.25
Case for Christ, The (2017) (MA/HD) (iTunes/HD) $4.50
Casper (1995) (iTunes/HD) Ports to MA $3.75
Castle Rock: Season 1 (2018) (Vudu/HD) $7.25
Cat in the Hat (2003) (MA/HD) $3.25
Catch Me If You Can (2002) (Vudu/HD) (iTunes/HD) $6.25
Catwoman: Hunted (2021) (MA/HD) $3.50
Central Intelligence (2016) (MA/4K) $5
Change-Up, The (2011) (Unrated) (2011) (iTunes/HD) Ports to MA $5.75
Chappie (2015) (MA/HD) $3.75
Charlie St. Cloud (2010) (MA/HD) $3.25
Chasing Mavericks (2012) (MA/HD) $5
Chicago (2002) (Vudu/HD) (iTunes/HD) $5.25
Child's Play (2019) (Vudu/HD) (iTunes/HD) $6.50
Chronicle (2012) (MA/HD) $4.50
Chronicles of Narnia: The Voyage of the Dawn Treader (2010) (MA/HD) $7
Cinderella (2015) (iTunes/4K) (MA/HD) $5.50 (GP/HD) $2.50
Cinderella II: Dreams Come True (2002) (MA/HD) $6.50 (GP/HD) $5
Cinderella III: A Twist in Time (2007) (MA/HD) $6.50 (GP/HD) $5
City of Lies (2018) (Vudu/HD) (iTunes/HD) $5.75
Clerks III (2022) (Vudu/4K) (iTunes/4K) $5.50
Cloudy With a Chance of Meatballs 2 (2013) (MA/HD) $3.50 (MA/SD) $2.25
Clown (2014) (Vudu/HD) $6.50
Clueless (1995) (Vudu/HD) (iTunes/HD) $4.25
Coal Miner's Daughter (1980) (MA/HD) (iTunes/HD) $6.25
Colombiana (Unrated) (2011) (MA/HD) $4.50
Colossal (2017) (iTunes/HD) Ports to MA $5.50
Constantine: The House of Mystery (2022) (MA/HD) $3.25
Contraband (2012) (iTunes/HD) Ports to MA $2.25
Contractor (2022) (Vudu/4K) $7.50 (iTunes/4K) (Vudu/HD) $4.75
Counselor, The (2013) (MA/HD) $3
Countdown (2019) (iTunes/4K) $3.75
Cowboys and Aliens (2011) (iTunes/HD) Ports to MA $2.50
Crash (2004) (Vudu/HD) $5.25
Crawl (2019) (Vudu/HD) $3 (iTunes/4K) $2
Croods (2013) & A New Age (2020) (MA/HD) $7
Croods (2013) (MA/HD) $3.50
Croods: A New Age (2020) (MA/HD) $5.25
Cult of Chucky (Unrated) (2017) (MA/HD) $3.75 (iTunes/HD) $2.50
Daddy's Home 1-2 (iTunes/4K) (Vudu/HD) $5
Daddy's Home 2 (2017) (Vudu/4K) $4.50 (iTunes/4K) $2 (Vudu/HD) $2.25
Dances With Wolves (1990) (Vudu/HD) $6
Daniel Craig Collection 5-Movie (Vudu/4K) $19
Dark Knight (2008) (MA/HD) $5
Dark Tower (2017) (MA/HD) $3
Darkest Minds, The (2018) (MA/HD) $4.75
Dawn of The Planet of The Apes (2014) (iTunes/4K) (MA/HD) $4
DC League of Super-Pets (2022) (MA/HD) $5
Dead Man Down (2013) (MA/HD) $4.75
Deadpool (2016) (MA/4K) $6.50 (iTunes/4K) (MA/HD) $2
Dear Evan Hansen (2021) (MA/HD) $4.25
Death on the Nile (2022) (MA/4K) $7.25 (MA/HD) $5.25 (GP/HD) $3.50
Deepwater Horizon (2016) (Vudu/4K) $5 (iTunes/4K) (Vudu/HD) $2.50
Den of Thieves (2018) (iTunes/HD) $1.75
Dentist 1-2 Collection (1996-1998) (Vudu/HD) $6
Descent, The (2005) (Vudu/HD) $5.25
Detective Knight Collection 1-3 (iTunes/4K) (Vudu/HD) $13 $5.50 Each
Devil Inside (2012) (Vudu/HD) $3.75
Devil's Due (2014) (MA/HD) $2.75
Diary of a Wimpy Kid (2010) (MA/HD) $4.75
Diary of a Wimpy Kid: The Long Haul (2017) (MA/HD) $2
Die Hard (1988) (MA/4K) $7 (MA/HD) $4
Die Hard 1-5 (MA/HD) $15
Doctor Strange in the Multiverse of Madness (2022) (MA/4K) $6 (MA/HD) $2.75 (GP/HD) $2
Dog (2022) (Vudu/HD) $3.50
Don't Breathe (2016) (MA/HD) $5.50
Don't Let Go (2019) (MA/HD) $4
Don't Tell a Soul (2021) (Vudu/HD) (iTunes/HD) $5
Don't Worry Darling (2022) (MA/HD) $5.50
Doors (1991) (Vudu/4K) $4 (iTunes/4K) (Vudu/HD) $3.75
Dope (2015) (iTunes/HD) Ports to MA $5.75
Dora and the Lost City of Gold (2019) (Vudu/HD) $5.25 (iTunes/4K) $4.25
Downsizing (2017) (iTunes/4K) (Vudu/HD) $1.25
Downton Abbey (2019) (MA/HD) $5.75
Downton Abbey: A New Era (2022) (MA/HD) $4.25
Dr. Seuss' The Lorax (2012) (MA/HD) $3.50 (iTunes/HD) $2.25
Draft Day (2014) (Vudu/HD) $3.25 (iTunes/HD) $2.75
Dragged Across Concrete (2019) (iTunes/4K) (Vudu/HD) $3.25
Dragonheart 5-Movie (MA/HD) $14
Drugstore Cowboy (1989) (Vudu/HD) $4.50
Duff, The (2015) (Vudu/HD) (iTunes/HD) $2.75
Dumbo (2019) (MA/4K) $6 (iTunes/4K) $5.25 (GP/HD) $2.50
Dune (2021) (MA/4K) $5 (MA/HD) $2
Earth Girls Are Easy (1988) (Vudu/HD) $5.75
Easter Sunday (2022) (MA/HD) $6.75
Edge of Seventeen (2016) (MA/HD) $3.50 (iTunes/HD) $2.25
El Chicano (2019) (MA/HD) $5
Elvis (2022) (MA/4K) $7 (MA/HD) $4.50
Emoji Movie (2017) (MA/HD) $2
Emperor's New Groove (2000) (GP/HD) $5.50
Empire Records (1995) (MA/HD) $6
Empire State (2013) (Vudu/HD) $5
End of Watch (2012) (iTunes/HD) Ports to MA $5
Ender's Game (2013) (iTunes/4K) (Vudu/HD) $3.25
English Patient (1996) (Vudu/HD) (iTunes/HD) $4.75
Epic (2013) (MA/HD) $1.75 (iTunes/SD) $1.25
Escape from Planet Earth (2013) (Vudu/HD) $4.50
Escape Plan: The Extractors (2019) (Vudu/HD) $3.75
Ever After: A Cinderella Story (1998) (MA/HD) $5.25
Everything Everywhere All at Once (2022) (Vudu/4K) $7.75
Exodus: Gods and Kings (2014) (iTunes/4K) (MA/HD) $3
Expendables 1-3 (Vudu/HD) $4.50
Extreme Prejudice (1987) (Vudu/HD) $5.25
Fabelmans (2022) (MA/HD) $6.75
Fantastic Beasts Collection 1-3 (MA/HD) $8.50
Fantastic Beasts: The Secrets of Dumbledore (2022) (MA/4K) $5.50 (MA/HD) $3
Fantastic Four (2015) (iTunes/4K) (MA/HD) $4.50
Fast & Furious Collection 1-8 (MA/4K) $26 1-9 (MA/HD) $10
Fast Times at Ridgemont High (1982) (iTunes/HD) Ports to MA $6
Father Stu (2022) (MA/HD) $5.75
Fault in Our Stars (2014) (MA/HD) $1.75
Fences (2016) (iTunes/4K) (Vudu/HD) $1.75
Ferdinand (2017) (MA/HD) $3.50
Ferris Bueller's Day Off (1986) (Vudu/HD) (iTunes/HD) $6
Fifty Shades of Black (2016) (iTunes/HD) Ports to MA $3.50
Fifty Shades of Grey 3-Movie + Unrated (MA/HD) $10
Fighter, The (2010) (Vudu/HD) (iTunes/HD) $5.25
Fighting with My Family (2019) (iTunes/HD) $3.25
Finest Hours, The (2016) (MA/HD) $6.50 (GP/HD) $4
First Cow (2019) (Vudu/HD) $6.50
First Man (2018) (MA/HD) $4.25
First Reformed (2018) (Vudu/HD) $5.25
Flight (2012) (Vudu/HD) $3.75 (iTunes/HD) $3
Footloose (2011) (Vudu/HD) $5 (iTunes/HD) $3.50
Founder, The (2017) (Vudu/HD) $4.50
Frank & Lola (2016) (MA/HD) $4.75
Frozen (2013) (MA/4K) $5.75 (iTunes/4K) (MA/HD) $3.75 (GP/HD) $1.75
Frozen 2 (2019) (MA/4K) $4.75 (iTunes/4K) (MA/HD) $4 (GP/HD) $1.75
Frozen Sing-Along Edition (2014) (MA/HD) $3.75 (GP/HD) $1.75
Future World (2018) (Vudu/HD) $4
G.I. Joe: Retaliation (2013) (iTunes/4K) (Vudu/HD) $3.75
Gambler (2014) (Vudu/HD) $3.50 (iTunes/HD) $2.75
Game Night (2018) (MA/4K) $5
Gate, The (1987) (Vudu/SD) $4.50
Get Him to the Greek (Unrated) (2010) (MA/HD) $3.25
Get on Up (2014) (iTunes/HD) Ports to MA $4.50
Get Out (2017) (MA/4K) $7 (iTunes/4K) (MA/HD) $3.75
Ghost In The Shell (2017) (Vudu/HD) $2 (iTunes/4K) $2.75
Ghost Rider: Spirit of Vengeance (2012) (MA/HD) $6.75
Ghostbusters (1984) (MA/HD) $3.50
Ghostbusters + Extended (2016) (MA/HD) $3
Ghostbusters II (1989) (MA/HD) $3.50
Girl In The Spider's Web (2018) (MA/HD) $4.50
Girl on the Train (2016) (iTunes/4K) $2.25 (MA/HD) $2.50
Girls Trip (2017) (MA/HD) $1.50 (iTunes/HD) $1
Glass (2019) (MA/4K) $6.50 (MA/HD) $4.50
Godfather Trilogy (iTunes/4K) (Vudu/HD) $13
Godfather, The (1972) (iTunes/4K) (Vudu/HD) $4.75
Gods of Egypt (2016) (Vudu/4K) $5.25 (Vudu/HD) $2 (iTunes/4K) $1.50
Godzilla (1998) (MA/4K) $8
Godzilla (2014) (MA/4K) $3
Gold (2016) (Vudu/HD) $1.75
Gone Baby Gone (2007) (Vudu/HD) $5
Gone Girl (2014) (iTunes/4K) (MA/HD) $5.75
Good Dinosaur (2015) (iTunes/4K) (MA/HD) $5.75 (GP/HD) $3.25
Goosebumps (2015) (MA/HD) $5.25
Grease (1978), 2 (1982), Live! (2016) (Vudu/HD) (iTunes/HD) $13
Great Wall (2016) (MA/HD) $2.50
Greatest Showman (2017) (MA/HD) $2.25
Green Book (2018) (MA/4K) $7.50 (MA/HD) $5
Green Lantern: Beware My Power (2022) (MA/HD) $3.50
Green Mile, The (1999) (MA/4K) $6
Grumpy Old Men (1993) (MA/HD) $6.25
Hail, Caesar! (2016) (MA/HD) $3.75 (iTunes/HD) $2.25
Halloween Ends (2022) (MA/4K) $6.50 (MA/HD) $4.75
Halloween H20: 20 Years Later (1998), The Curse of Michael Myers (1995), Resurrection (2002) (Vudu/HD) (iTunes/HD) $10
Hansel and Gretel: Witch Hunters (2013) (Vudu/HD) (iTunes/HD) $2.50
Happy Death Day (2017) (MA/HD) $5.50
Happy Death Day 2U (2019) (MA/HD) $5.25
Happy Feet (2006) (MA/HD) $4
Hard Candy (2005) (Vudu/HD) $4.50
Harriet (2019) (MA/HD) $4.25
Harry Potter and the Half-Blood Prince (2009) (MA/HD) $3.50
Hateful Eight (2015) (Vudu/HD) $2
Haunting in Connecticut (2009) (Vudu/HD) $6.50
Heat, The (2013) (MA/HD) $2.25 (iTunes/SD) $1
Heat: Director's Definitive Edition (1995) (MA/4K) $6.25 (iTunes/4K) (MA/HD) $5.25
Hell or High Water (2016) (Vudu/4K) $5.50 (Vudu/HD) $2.25 (iTunes/4K) $3.75
Hercules (1997) (MA/HD) $6.50 (GP/HD) $5
Hereditary (2018) (Vudu/HD) $3.75
Home (2015) (MA/HD) $2
Home Alone (1990) (iTunes/4K) (MA/HD) $4
Home Alone 2: Lost in New York (1992) (MA/HD) $3.50
Hop (2011) (iTunes/HD) Ports to MA $2.25
Hot Fuzz (2007) (MA/HD) $3.50 (iTunes/4K) $4
Hotel Transylvania (2012) (MA/HD) $6.25 (MA/SD) $2.50
Hotel Transylvania 2 (2015) (MA/HD) $6.75
Hotel Transylvania 3: Summer Vacation (2018) (MA/4K) $6.75 (MA/HD) $4.50
House of 1,000 Corpses (2003), Devil's Rejects (2005), 3 From Hell (2019) (Vudu/HD) $6
House of 1000 Corpses (2003) (Vudu/HD) $4.75
House of the Dragon: Season 1 (2022) (Vudu/4K) $9 (Vudu/HD) $5
How to Train Your Dragon (2010) (MA/4K) $6.50 (MA/HD) $4
How to Train Your Dragon Collection 1-3 (MA/HD) $7
How to Train Your Dragon: The Hidden World (2019) (MA/4K) $6 (MA/HD) $4.25
Hugo (2011) (Vudu/HD) (iTunes/HD) $4
Hunger Games Collection 1-4 (Vudu/HD) $6 (iTunes/4K) $12
Hunt, The (2019) (MA/HD) $6
Huntsman: Winter's War - Extended Edition (2016) (iTunes/4K) (MA/HD) $3
Hurricane Heist (2018) (iTunes/4K) (Vudu/HD) $3.25
Hurt Locker (2008) (Vudu/4K) (iTunes/4K) $6.25
I Can Only Imagine (2018) (Vudu/HD) (iTunes/HD) $2.50
I See You (2019) (Vudu/HD) $4.50 (iTunes/HD) $2.50
Ice Age (2002) (MA/HD) $5
Ice Age: Collision Course (2016) (iTunes/4K) (MA/HD) $4.25
Ice Age: Continental Drift (2012) (MA/HD) $4.50
Ice Age: Dawn of the Dinosaurs (2009) (MA/HD) $5.25
Ice Age: The Meltdown (2006) (MA/HD) $6
Ides of March (2011) (MA/HD) $5.25
I'm Not There (2007) (Vudu/HD) $4.50
In the Heights (2021) (MA/4K) $5 (MA/HD) $2.25
Independence Day (1996) (MA/4K) $7.75 (iTunes/4K) (MA/HD) $5.50
Indiana Jones 1-4 (Vudu/4K) $24 (iTunes/4K) (Vudu/HD) $19
Inferno (2016) (MA/HD) $3.50
Ingrid Goes West (2017) (iTunes/HD) Ports to MA $5.50
Insidious: Chapter 2 (2013) (MA/HD) $5.25
Insidious: Chapter 3 (2015) (MA/HD) $6.50
Insidious: The Last Key (2018) (MA/HD) $3.25
Instant Family (2018) (Vudu/HD) $2 (iTunes/4K) $1.50
Instructions Not Included (2013) (Vudu/HD) $3.75
Insurgent (2015) (Vudu/4K) (iTunes/4K) $4.25 (Vudu/HD) $3.50
Internship (2013) (MA/HD) $3.25
Interview, The (2014) (MA/HD) $3.50
Into the Woods (2014) (MA/HD) $4 (GP/HD) $2.25
Invitation, The + Unrated (2022) (MA/HD) $6.50
Iron Man (2008) (MA/4K) $7.25 (iTunes/4K) $7 (GP/HD) $3
Iron Man 1-3 (MA/4K) $20 (iTunes/4K) $15 (GP/HD) $7
Iron Man 2 (2010) (MA/4K) $7.25 (iTunes/4K) $6.50 (GP/HD) $3
Iron Man 3 (2013) (MA/4K) $7.25 (iTunes/4K) $3.25 (MA/HD) $2.75 (GP/HD) $2
Iron Man and Hulk: Heroes United (2013) (MA/HD) $5.50
Isle of Dogs (2018) (MA/HD) $4.75
It Comes at Night (2017) (Vudu/HD) $6.25
It Follows (2015) (Vudu/HD) $4.75
Jack and Jill (2011) (MA/HD) $3
Jack Frost (1998) (MA/HD) $5
Jack Reacher Collection 1-2 (iTunes/4K) (Vudu/HD) $7
Jack Reacher: Never Go Back (2016) (Vudu/4K) $5.75 (iTunes/4K) (Vudu/HD) $2.75
Jack Ryan: Shadow Recruit (2014) (iTunes/4K) (Vudu/HD) $3.25
Jackass Presents: Bad Grandpa (2013) (Vudu/HD) (iTunes/HD) $3
Jane Got a Gun (2016) (Vudu/HD) $5.75
Jaws (1975) Jaws 2 (1978) Jaws 3 (1983) Jaws: The Revenge (1987) (MA/HD) $15
Jexi (2019) (Vudu/4K) (iTunes/4K) $3.50
Jigsaw (2017) (Vudu/4K) $5.25 (iTunes/4K) (Vudu/HD) $2
Jingle All the Way (1996) (MA/HD) $5
JOBS (2013) (MA/HD) (iTunes/HD) $2.75
John Wick Collection 1-3 (Vudu/4K) $15 (iTunes/4K) $13 (Vudu/HD) $7
Jojo Rabbit (2019) (MA/HD) $7
Joseph: King of Dreams (2000) (MA/HD) $5.50
Jumanji: Next Level (2019) & Welcome to the Jungle (2017) (MA/HD) $7.50
Jumanji: The Next Level (2019) (MA/4K) $7.75 (MA/HD) $5.50
Jungle Book (2016) (iTunes/4K) (MA/HD) $5.25 (GP/HD) $2.75
Jungle Book 2 (2003) (MA/HD) $6.50
Jurassic Park III (2001) (MA/4K) $6.50 (iTunes/4K) $3.75 (MA/HD) $3.50
Jurassic Park: The Lost World (1997) (MA/4K) $6.50 (iTunes/4K) $3.75 (MA/HD) $3
Jurassic World Collection 1-5 (MA/4K) $19 (iTunes/4K) $17 (MA/HD) $10
Jurassic World Collection 1-6 (MA/4K) $23 (MA/HD) $11
Jurassic World: Dominion + Extended Cut (2022) (MA/4K) $7.25 (MA/HD) $4.50
Jurassic World: Fallen Kingdom (2018) (MA/4K) $5.75 (MA/HD) $1.75
Kicks (2016) (iTunes/HD) Ports to MA $5
Kidnap (2017) (MA/HD) (iTunes/HD) $3.25
Kill the Messenger (2014) (iTunes/HD) Ports to MA $5
Killer Joe (Director's Cut) (2012) (Vudu/HD) $4.50
Killing Kennedy (2013) (MA/HD) $6.50
Killing Them Softly (2012) (Vudu/HD) $2.75
King Richard (2021) (MA/HD) $2
Kitchen, The (2019) (MA/HD) $2.50
Knight and Day (2010) (MA/HD) $6.50
Knives Out (2019) (Vudu/4K) (iTunes/4K) $5.25
Kung Fu Panda Collection 1-3 (MA/HD) $12
La La Land (2016) (Vudu/HD) $2.25 (iTunes/4K) $3.75
Last Christmas (2019) (MA/HD) $6.50
Last Witch Hunter (2015) (iTunes/4K) (Vudu/HD) $1.50
Last Word (2017) (iTunes/HD) Ports to MA $5
Lawless (2012) (Vudu/HD) $3.75
Lawrence of Arabia (Restored Version) (1962) (MA/HD) $5
Lee Daniels' The Butler (2013) (Vudu/HD) $2.25
Leprechaun Returns (2018) (Vudu/HD) $2.75
Les Miserables (2012) (MA/HD) (iTunes/HD) $2.75
Let's Be Cops (2014) (iTunes/4K) (MA/HD) $2.75
Liar Liar (1997) (MA/HD) $3.25
Life (2017) (MA/HD) $2.50
Light of My Life (2019) (Vudu/HD) $2.50 (iTunes/HD) $2
Lightyear (2022) (MA/4K) $5.25 (MA/HD) $2.75 (GP/HD) $2
Lilo & Stitch (2002) & Stitch Has a Glitch (2005) (MA/HD) $11 (GP/HD) $6.50
Lilo & Stitch (2002) (MA/HD) $6.25 (GP/HD) $4
Lilo & Stitch 2: Stitch Has a Glitch (2005) (MA/HD) $5.25 (GP/HD) $3
Limey, The (1999) (Vudu/4K) (iTunes/4K) $5
Lincoln Lawyer (2011) (Vudu/4K) $5 (iTunes/4K) (Vudu/HD) $4.75
Lion (2016) (Vudu/HD) $4.50
Lion King (1994) (MA/4K) $7 (iTunes/4K) $4.50 (GP/HD) $2.75
Lion King (2019) (MA/4K) $6 (iTunes/4K) $4 (GP/HD) $1.25
Lion King 1 1/2 (2004) (MA/HD) $6.50
Little Fockers (2010) (MA/HD) $5
Little Mermaid II: Return to the Sea (2000) (MA/HD) $6.75
Little Mermaid III: Ariel’s Beginning (2008) (MA/HD) $6.75
Little Women (2019) (MA/HD) $4.25
Live Die Repeat: Edge of Tomorrow (2014) (MA/4K) $5
Lodge, The (2019) (MA/HD) $5.75
Lone Ranger (2013) (MA/HD) $4.75 (GP/HD) $2.50
Lone Survivor (2013) (iTunes/4K) $2 (MA/HD) $1.50
Long Shot (2019) (iTunes/4K) (Vudu/HD) $4
Lord of War (2005) (Vudu/4K) (iTunes/4K) $5
Lords of Salem, The (2012) (Vudu/HD) $4.75
Lost Boys, The (1987) (MA/4K) $5 (MA/HD) $3.50
Lyle, Lyle, Crocodile (2022) (MA/HD) $6
Ma (2019) (MA/HD) $5.25
Mad Max 2: The Road Warrior (1982) (MA/4K) $5
Mad Max 3: Beyond Thunderdome (1985) (MA/4K) $5
Mad Max Collection 1-4 (Vudu/4K) $19
Madagascar 3: Europe's Most Wanted (2012) (MA/HD) (iTunes/HD) $2
Mallrats (1995) (MA/HD) $3.25
Mama (2013) (iTunes/HD) Ports to MA $3.75
Mamma Mia! Here We Go Again (2018) (MA/4K) $6.50 (MA/HD) $1.75
Mamma Mia! The Movie (2008) & Here We Go Again (2018) (MA/HD) $6.50 $4.50 Each
Man On Fire (2004) (MA/HD) $6.50
Man Who Invented Christmas (2017) (MA/HD) $6.25
Many Saints of Newark (2021) (MA/HD) $2.25
Margin Call (2011) (Vudu/HD) (iTunes/HD) $6.25
Marshall (2017) (MA/HD) $4.75
Martian (Theatrical) (2015) (MA/4K) $7.25 (iTunes/4K) (MA/HD) $3.25
Mary Poppins (1964) (MA/HD) $4.50 (GP/HD) $3
Mary Queen of Scots (2018) (MA/HD) $5.75
Matrix (1999), Reloaded (2003), Revolutions (2003), Resurrections (2021) (MA/HD) $7.50
Matrix: Resurrections (2021) (MA/4K) $5 (MA/HD) $2.25
Maze Runner (2014) (iTunes/4K) (MA/HD) $5.50
Maze Runner: The Death Cure (2018) (MA/HD) $6
Maze Runner: The Scorch Trials (2015) (iTunes/4K) (MA/HD) $6
McFarland, USA (2015) (MA/HD) $6.25 (GP/HD) $4.50
Meet the Parents (2000) (MA/HD) $3.25
Megamind (2010) (MA/HD) $5.50
Men in Black (1997) (MA/HD) $6.75
Men in Black II (2002) (MA/HD) $6.75
Men Who Stare at Goats (2009) (Vudu/HD) $4.50
Menace II Society (Director's Cut) (1993) (MA/HD) $5
MIB: International (2019) (MA/4K) $5.75 (MA/HD) $4.75
Mickey, Donald, Goofy: The Three Musketeers (2004) (MA/HD) $6.50
Midsommar (2019) (Vudu/HD) $5.75
Mike and Dave Need Wedding Dates (2016) (iTunes/4K) (MA/HD) $4.25
Mile 22 (2018) (iTunes/4K) $1.75
Million Dollar Arm (2014) (MA/HD) $4.25
Minions (2015) (iTunes/4K) (MA/HD) $2.75
Minions: The Rise of Gru (2022) & Minions (2015) (MA/HD) $8.25
Miracles From Heaven (2016) (MA/HD) $4.50
Miss Congeniality (2000) (MA/HD) $6
Miss Peregrine’s Home for Peculiar Children (2015) (iTunes/4K) (MA/HD) $2
Missing Link (2019) (MA/HD) $4.25
Mission: Impossible Collection 1-6 (Vudu/4K) $24 (iTunes/4K) (Vudu/HD) $19
Mission: Impossible Fallout (2018) (Vudu/4K) $2.75 (iTunes/4K) (Vudu/HD) $2.50
Mistress America (2015) (MA/HD) $5
Molly's Game (2018) (iTunes/HD) $2
Moneyball (2011) (MA/HD) $2.75
Monster Trucks (2016) (Vudu/HD) $2
Monster's Ball (2001) (Vudu/HD) $6.25
Monsters, Inc. (2001) (GP/HD) $4
Monuments Men (2014) (MA/HD) $2
Moonlight (2016) (Vudu/HD) $4
Mother! (2017) (iTunes/4K) (Vudu/HD) $3.50
Mother's Day (2016) (MA/HD) (iTunes/HD) $5
Mountain Between Us (2017) (iTunes/4K) (MA/HD) $1.50
Mr. Peabody & Sherman (2014) (MA/HD) $3.25
Mrs. Doubtfire (1993) (MA/HD) $3.75
Much Ado About Nothing (2013) (Vudu/HD) $4.25
Mud (2013) (Vudu/HD) (iTunes/HD) $2.75
Mule, The (2018) (MA/4K) $5
Mummy, The (2017) (iTunes/4K) (MA/HD) $2.75
Muppets Most Wanted (2014) (MA/HD) $6.25 (GP/HD) $4.50
Murder on The Orient Express (2017) (MA/HD) $2.75
My All American (2015) (MA/HD) (iTunes/HD) $4.25
My Boss's Daughter (2003) (Vudu/HD) $6.25
My Dinner with Herve (2018) (Vudu/HD) (iTunes/HD) $4.50 (GP/HD) $3
My Fair Lady (1964) (iTunes/4K) (Vudu/HD) $5.50
My Girl (1991) & 2 (1994) (MA/SD) $6
My Little Pony: The Movie (2017) (Vudu/HD) (iTunes/HD) $3.25
Natural, The (1984) (MA/4K) $5
Nebraska (2013) (Vudu/HD) (iTunes/HD) $2.25
Neighbors (2014) (iTunes/HD) Ports to MA $2
Neighbors 2: Sorority Rising (2016) (iTunes/HD) Ports to MA $3.50
Nerve (2016) (Vudu/HD) $2.50
Never Grow Old (2019) (Vudu/HD) (iTunes/HD) $4.50
Night at the Museum 3-Movie (MA/HD) $13 $6 Each (MA/SD) $9
Night Before (2015) (MA/HD) $4.75 (MA/SD) $2
Night Of: Season 1 (2016) (Vudu/HD) $7.25
Nightmare Before Christmas (1993) (GP/HD) Ports to MA $3
Ninth Gate, The (1999) (Vudu/HD) $4.50
No Country For Old Men (2007) (Vudu/HD) $5.50 (iTunes/HD) $6.50
Nocturnal Animals (2016) (iTunes/HD) Ports to MA $3.25
Non-Stop (2014) (MA/HD) (iTunes/HD) $2.75
Nope (2022) (MA/4K) $8 (MA/HD) $6.25
Notting Hill (1999) (MA/HD) (iTunes/HD) $3.25
Nut Job (2014) (MA/HD) $2.50 (iTunes/HD) $1.75
Nut Job 2: Nutty By Nature (2017) (MA/HD) (iTunes/HD) $2.75
Office Christmas Party (2016) (iTunes/4K) (Vudu/HD) $2.50
Olaf's Frozen Adventure Plus 6 Disney Tales (2017) (MA/HD) $4.75 (GP/HD) $3.25
Olympus Has Fallen (2013) (MA/HD) $5
On the Basis of Sex (2019) (MA/HD) $4.50
One Direction: This is Us + Extended Fan Edition (2013) (MA/HD) $3.25
Only God Forgives (2013) (Vudu/HD) $4.50
Operation Finale (2018) (iTunes/4K) $2.75
Ouija (2014) & Origin of Evil (2016) (MA/HD) (iTunes/HD) $9
Ouija (2014) (MA/HD) (iTunes/HD) $2.50
Over the Hedge (2006) (MA/HD) $6.25
Pain & Gain (2013) (Vudu/HD) (iTunes/HD) $3.25
Paper Towns (2011) (iTunes/4K) (MA/HD) $2.75
ParaNorman (2012) (iTunes/HD) $5
Paterno (2018) (Vudu/HD) (iTunes/HD) $4.50 (GP/HD) $3
Patriots Day (2017) (iTunes/4K) (Vudu/HD) $2.50
Paul (2011) (iTunes/HD) Ports to MA $4.50
Paul Blart: Mall Cop 2 (2015) (MA/HD) $4.25
Peanut Butter Falcon (2019) (Vudu/HD) (iTunes/HD) $4.50
Pearl (2022) (Vudu/HD) $6
Peppermint (2018) (iTunes/HD) $1.75
Percy Jackson & the Olympians: The Lightning Thief (2010) (MA/HD) $6.75
Pet Sematary (2019) (Vudu/4K) $4.50 (iTunes/4K) (Vudu/HD) $2.50
Peter Rabbit (2018) & 2 (2021) (MA/HD) $10
Peter Rabbit (2018) (MA/4K) $5.75 (MA/HD) $5
Phantom Thread (2017) (MA/HD) $3
Pinocchio (1940) (MA/HD) $5.75 (GP/HD) $4
Pirate Fairy (2014) (MA/HD) $3.25 (GP/HD) $1.75
Pirates of the Caribbean: Dead Men Tell No Tales (2017) (MA/HD) $3.25 (GP/HD) $1.75
Pitch Black - Unrated Director's Cut (2000) (MA/HD) $6
Pitch Perfect 2 (2015) (MA/HD) $2.75 (iTunes/4K) $3.75
Pitch Perfect Collection 1-3 (MA/HD) $11
Planes (2013) (MA/HD) $2.50 (GP/HD) $1.50
Planes, Trains and Automobiles (1987) (Vudu/HD) $5 (iTunes/HD) $3.75
Planes: Fire & Rescue (2014) (MA/HD) $4 (GP/HD) $2
Planet of the Apes 1-3 (Newer) (iTunes/4K) (MA/HD) $11
Playing For Keeps (2012) (MA/HD) $4.75
Point Break (2015) (MA/HD) $1.75
Poltergeist (1982) (MA/4K) $5
Poms (2019) (iTunes/HD) $2.50
Popeye (1980) (Vudu/HD) (iTunes/HD) $5.25
Popstar: Never Stop Never Stopping (2016) (MA/HD) $3.25
Post, The (2017) (MA/HD) $2.50
Precious (2009) (Vudu/HD) (iTunes/HD) $6.25
Predator (1987) (MA/HD) $2.75
Predator (1987), 2 (1990), Predators (2009), Predator (2018) $10
Predator (2018) (MA/4K) $6.25 (MA/HD) $2.50
Pretty in Pink (1986) (iTunes/4K) (Vudu/HD) $4.75
Prey for the Devil (2022) (Vudu/4K) (iTunes/4K) $6.25
Priceless (2016) (iTunes/HD) Ports to MA $5
Prince of Egypt (2002) (MA/HD) $5.50
Princess and the Frog (2009) (iTunes/4K) $5.50 (GP/HD) $3.25
Prometheus (2012) (MA/HD) $1.75
Prophecy Collection 1-5 (Vudu/HD) (iTunes/HD) $14
Psycho (1960) (MA/HD) (iTunes/4K) $5
Public Enemies (2009) (MA/HD) $6.25 (iTunes/HD) $4.75
Punisher: War Zone (2008) (Vudu/4K) $6
Purge: Election Year (2016) (MA/4K $5.50 (iTunes/4K) (MA/HD) $3
Puss in Boots (2011) (MA/4K) $7
Queen & Slim (2019) (MA/HD) $3.75
Queen of Katwe (2016) (MA/HD) $3.50 (GP/HD) $2.50
R.I.P.D. (2013) (MA/HD) $3.25 (iTunes/HD) $3
Railway Man (2013) (Vudu/HD) $4.50
Rambo Collection 1-5 (Vudu/HD) $13
Rambo Last Blood (Vudu/4K) (iTunes/4K) $2.75
Rambo: First Blood (1982) (Vudu/4K) (iTunes/4K) $6
Rambo: First Blood Part II (1985) (Vudu/4K) $6.75 (iTunes/4K) (Vudu/HD) $5.50
Rampage (2018) (MA/4K) $5
Ready or Not (2019) (MA/HD) $6.50
Rear Window (1954) (MA/4K) $4.75
Red Sparrow (2018) (MA/HD) $4.50
Requiem for a Dream - Director's Cut (2000) (Vudu/4K) (iTunes/4K) $6.25
Rescuers Down Under (1990) (MA/HD) $6.50 (GP/HD) $4
Rescuers, The (1977) (MA/HD) $6.50 (GP/HD) $4
Reservoir Dogs (1992) (Vudu/4K) $5 (Vudu/HD) (iTunes/HD) $5
Richie Rich (1994) (MA/HD) $5
Riddick Collection 1-3 (Unrated) (MA/HD) $13
Ride Along 1-2 (MA/HD) (iTunes/HD) $5
Rings (2017) (Vudu/HD) $2.75 (iTunes/HD) $1.50
Rio 2 (2014) (MA/HD) $2.25
Road to El Dorado (2000) (MA/HD) $5.50
Robin Hood (Animated) (1973) (MA/HD) $3.75 (GP/HD) $2.75
Robots (2005) (MA/HD) $6.75
Rock Dog (2016) (Vudu/HD) $4.25
Rocky Horror Picture Show (1975) (MA/HD) $5.25
Room (2015) (Vudu/HD) $5.25
Russell Madness (2015) (MA/HD) $4
Safe (2012) (Vudu/HD) (iTunes/HD) $1.75
Same Kind of Different as Me (2017) (Vudu/HD) (iTunes/HD) $2
Santa Clause (1994), 2 (2002), 3 (2006) (iTunes/4K) (MA/HD) $10.50 (GP/HD) $6.50
Savages (2012) (iTunes/HD) Ports to MA $2.25
Saving Mr. Banks (2013) (MA/HD) $4.75 (GP/HD) $2.75
Saw (2004) (Vudu/4K) (iTunes/4K) $5.50
Saw Collection 1-7 (Vudu/HD) $10
Scarface (1983) (iTunes/4K) (MA/HD) $5.25
Scary Movie 3 (2003) (Vudu/HD) (iTunes/HD) $4
Scary Stories to Tell in the Dark (2019) (Vudu/4K) (iTunes/4K) $3
Schindler's List (1993) (MA/HD) $5
Scott Pilgrim vs. The World (2010) (MA/4K) (iTunes/4K) $5.75 (MA/HD) $5.25
Scouts Guide to the Zombie Apocalypse (2015) (Vudu/HD) $3.75 (iTunes/HD) $2.75
Scream 5 (2022) (iTunes/4K) (Vudu/HD) $4.25
Scream Collection 1-3 (Vudu/HD) (iTunes/HD) $13
Scrooged (1988) (iTunes/HD) $3.75
Second Act (2018) (iTunes/HD) $1.50
Second Best Exotic Marigold Hotel (2015) (MA/HD) $4.50
Secret Headquarters (2022) (Vudu/HD) (iTunes/4K) $6
Secret Life of Pets 1-2 (MA/HD) $7.50
Secret Life of Pets 2 (2019) (MA/4K) $6.25 (MA/HD) $5
Secret Life of Pets, The (2016) (iTunes/4K) $3.75 (MA/HD) $2.75
Secret Life of Walter Mitty (2013) (MA/HD) $1.75
Secretary (2002) (Vudu/HD) $5
Seeking a Friend for the End of the World (2012) (iTunes/HD) Ports to MA $4.50
Serenity (2005) (MA/HD) $3.50
Seventh Son (2015) (iTunes/HD) Ports to MA $1.50
Sex Tape (2014) (MA/HD) $3
Shack (2017) (Vudu/HD) (iTunes/HD) $1.50
Shallows, The (2016) (MA/4K) $7 (MA/HD $4.25
Shape of Water (2017) (MA/HD) $3.50
Shaun of the Dead (2004), Hot Fuzz (2007), World's End (2013) (MA/HD) $10
Shaun the Sheep Movie (2015) (Vudu/HD) $4.25
Shawshank Redemption (1994) (MA/4K) $5
She's Having a Baby (1988) (Vudu/HD) (iTunes/HD) $4.50
She's the Man (2006) (Vudu/HD) (iTunes/HD) $3.25
Shooter (2007) (Vudu/HD) $5.75
Sicario (2015) (Vudu/4K) $6 (Vudu/HD) $1.75 (iTunes/4K) $3
Sideways (2004) (MA/HD) $5.25
Silent Night, Deadly Night: 3-Film Collection (1989-1991) (Vudu/HD) $6
Sin City (2005) (Vudu/HD) $5.75
Sin City: A Dame to Kill For (2014) (Vudu/HD) $6.50
Sinbad: Legend of the Seven Seas (2007) (MA/HD) $6.50
Sing (2016) (iTunes/4K) (MA/HD) $2.75
Sing 2 (2021) (MA/4K) $6.50 (MA/HD) $3.75
Sinister (2012) (Vudu/HD) $3 (iTunes/HD) $2.75
Sisters (Unrated) (2015) (MA/HD) $4 (iTunes/HD) $3.25
Sleeping Beauty (1959) (MA/HD) $3.50 (GP/HD) $2.75
Sleepless (2017) (iTunes/HD) Ports to MA $1
Smile (2022) (iTunes/4K) (Vudu/HD) $6.75
Smokey and the Bandit (1977) (MA/4K) $6.75 (MA/HD) $3.75
Smurfs: The Lost Village (2017) (MA/HD) $3.25
Snatched (2017) (iTunes/4K) (MA/HD) $1
Snitch (2013) (iTunes/4K) (Vudu/HD) $1.75
Snow White and The Seven Dwarfs (1937) (MA/HD) $6.50 (GP/HD) $3.75
Snowden (2016) (MA/HD) $3.50 (iTunes/HD) $4
Some Kind of Wonderful (1987) (Vudu/HD) (iTunes/HD) $4.50
Son of God (2014) (MA/HD) $1.25
Sorry to Bother You (2018) (MA/HD) $5
Sound of Music, The (1965) (MA/HD) $6
Source Code (2011) (Vudu/4K) (iTunes/4K) $5
Space Between Us, The (2017) (iTunes/HD) Ports to MA $5
Space Jam (1996) (MA/4K) $5
Space Jam: A New Legacy (2021) (MA/4K) $5
Spider-Man (2002) (MA/HD) $5.75
Spider-Man 2 + Extended Edition (2004) (MA/HD) $5.75
Spider-Man 3 (2007) (MA/HD) $5
Spider-Man Collection 1-8 (MA/HD) $24
Spider-Man: Far From Home (2019) (MA/HD) $4.25
Spider-Man: Homecoming (2017) (MA/HD) $1.75
Spider-Man: Into The Spider-Verse (2018) (MA/HD) $5
Spies in Disguise (2019) (MA/HD) $3.75 (GP/HD) $2.75
Spirit, The (2008) (Vudu/HD) $3
Spirit: Stallion of the Cimarron (2003) (MA/HD) $5.25
Spy (Unrated) (2015) (MA/HD) $2
Spy Game (2001) (iTunes/HD) Ports to MA $5.75
Star Trek 1-3 (Vudu/4K) $18 (Vudu/HD) $9 (iTunes/4K) $13
Star Trek Beyond (2016) (Vudu/HD) $1.75 (iTunes/4K) $3.25
Starsky & Hutch (2004) (MA/HD) $6
Step Up Revolution (2012) (Vudu/HD) (iTunes/HD) $3.25
Still Alice (2015) (MA/HD) $3
Stillwater (2021) (MA/HD) $5
Stir of Echoes (1999) (Vudu/HD) $4.75
Straight Outta Compton (Unrated Director’s Cut) (2015) (MA/4K) $7.50 (MA/HD) (iTunes/HD) $2.50
Strange World (2022) (MA/HD) $5
Stronger (2017) (Vudu/HD) (iTunes/HD) $4.75
Stuber (2019) (MA/HD) $4.25
Suburbicon (2017) (iTunes/4K) (Vudu/HD) $3.25
Suffragette (2015) (iTunes/HD) Ports to MA $3
Suicide Squad, The (2021) (MA/4K) $5
Super 8 (2011) (Vudu/4K) $5.75 (Vudu/HD) $3.25 (iTunes/4K) $5
Super Buddies (2013) (MA/HD) $5.75 (GP/HD) $4
Super Troopers (2002) (MA/HD) $5.75
Super Troopers 2 (2018) (MA/HD) $3
SW: Force Awakens (2015) (MA/4K) $5.50 (iTunes/4K) $3.75 (GP/HD) $1.50
SW: Phantom Menace (1999) (MA/4K) $7.50 (iTunes/4K) $6.50 (GP/HD) $3.50
SW: Revenge of the Sith (2005) (MA/4K) $7.50 (GP/HD) $3.50
SW: Rogue One: A Star Wars Story (2016) (MA/4K) $6.75 (iTunes/4K) $4 (GP/HD) $1.50
Sword in the Stone (1963) (MA/HD) $6.25 (GP/HD) $3.75
Taken (2009), 2 (2012), 3 (2015) (MA/HD) $9
Tangled (2010) (MA/HD) $5.25 (GP/HD) $4
Tarzan (1999) (MA/HD) $6.50 (GP/HD) $5
Ted (2012) (Unrated) (MA/HD) (iTunes/HD) $4
Teenage Mutant Ninja Turtles (2014) (iTunes/4K) (Vudu/HD) $3.25
Terminator: Genisys (2015) (Vudu/HD) $1.75 (iTunes/4K) $3
Terms of Endearment (1983) (Vudu/HD) (iTunes/HD) $5
Theory Of Everything (2014) (iTunes/HD) Ports to MA $4
Thing, The (2011) (MA/HD) $6.25 (iTunes/HD) $5.75
Think Like a Man (2012) & Two (2014) (MA/HD) $9
This Is 40 (2012) (MA/HD) $3.75 (iTunes/HD) $2.50
Thor (2011) (iTunes/4K) (MA/HD) $7 (GP/HD) $3.50
Thumbelina (1994) (MA/HD) $6.25
Till (2022) (iTunes/4K) $6.50
Tinker Bell and the Legend of the NeverBeast (2014) (MA/HD) $6.25 (GP/HD) $4.50
Tinker, Tailor, Soldier, Spy (2011) (iTunes/HD) Ports to MA $4.25
Titanic (1997) (Vudu/HD) (iTunes/HD) $4.75
TMNT Out of the Shadows (2016) (iTunes/4K) $4
Tomb Raider: The Cradle of Life (2003) (Vudu/HD) $6
Tomorrowland (2015) (MA/HD) $5.50 (GP/HD) $3.50
Top Five (2014) (Vudu/HD) $5 (iTunes/HD) $3.75
Top Gun (1986) (Vudu/4K) $5.25 (iTunes/4K) (Vudu/HD) $4.50
Total Recall (1990) (Vudu/4K) (iTunes/4K) $5.25
Total Recall + Extended (2012) (MA/HD) $5.25 (Theatrical) $4.25
Tower Heist (2011) (iTunes/HD) Ports to MA $4
Toy Story of Terror! (2013) (MA/HD) $3.75
Trading Places (1983) (Vudu/HD) $4 (iTunes/4K) $5
Trainwreck (2015) (iTunes/HD) Ports to MA $1.50
Transformers 1-5 (Vudu/4K) $29 (Vudu/HD) $22
Transformers: Last Knight (2017) (Vudu/4K) $4.75 (iTunes/4K) $2.25 (Vudu/HD) $2
Trauma Center (2019) (iTunes/4K) (Vudu/HD) $3.25
Trick 'r Treat (2009) (MA/HD) $5
Triple 9 (2016) (iTunes/HD) Ports to MA $2.50
Trolls (2016) (MA/HD) $1.50
Trolls Collection 1-2 (MA/HD) $6.50
Tully (2018) (MA/HD) $5.75
Tyler Perry Presents Peeples (2013) (Vudu/HD) $1.75
Unbanned: The Legend of AJ1 (2019) (Vudu/HD) $5.50
Unbearable Weight of Massive Talent (2022) (Vudu/4K) (iTunes/4K) $6
Unbroken (2014) (MA/HD) (iTunes/HD) $3
Unfinished Business (2015) (MA/HD) $4.50
Unhinged (2020) (Vudu/HD) $4
Up in Smoke ‘Cheech and Chong’ (1978) (Vudu/HD) $3.25 (iTunes/HD) $2.50
Upside, The (2017) (iTunes/HD) $2
Valerian and the City of a Thousand Planets (2017) (Vudu/HD) $2.75
Venom (2018) (MA/4K) $7 (MA/HD) $3.50
Venom: Let There Be Carnage (2021) (MA/4K) $7.25 (MA/HD) $3.50
Vice (2015) 'Bruce Willis' (Vudu/HD) $2.75
Vow, The (2012) (MA/HD) $3.25
W. (2008) (Vudu/HD) $4.50
Walk the Line (2005) (MA/HD) $4.75
Walk, The (2015) (MA/HD) $5
Walking with Dinosaurs (2013) (MA/HD) (iTunes/HD) $2.50
Wanted (2008) (iTunes/HD) Ports to MA $6
Warm Bodies (2013) (iTunes/4K) (Vudu/HD) $2
Warrior (2011) (Vudu/4K) (iTunes/HD) $4
Watch, The (2012) (MA/HD) $4.25
Way, Way Back, The (2013) (MA/HD) $5.25
Wayne's World (1992) (Vudu/4K) (iTunes/4K) $6.50
What Men Want (2019) (Vudu/HD) $1.75 (iTunes/4K) $1.25
What to Expect When You're Expecting (2012) (Vudu/HD) (iTunes/HD) $2.25
Where the Crawdads Sing (2022) (MA/HD) $5
Whiplash (2014) (MA/HD) $5.75
Whiskey Tango Foxtrot (2016) (Vudu/HD) (iTunes/HD) $2.25
Why Him? (2016) (iTunes/4K) (MA/HD) $2
Widows (2018) (MA/4K) $6.50 (MA/HD) $1.50
Wild Card (2015) (Vudu/HD) $4.25
Willy Wonka and the Chocolate Factory (1971) (MA/4K) $5.50
Wind River (2017) (Vudu/HD) (iTunes/HD) $4.50
Wings (1927) (Vudu/HD) $4
Witch, The (2016) (Vudu/HD) $3.50
Wizard of Lies (2017) (Vudu/HD) $5 (iTunes/HD) $4.25 (GP/HD) $3
Woman in Gold (2015) (Vudu/HD) $2.75
Woman King (2022) (MA/4K) $7.25 (MA/HD) $5.75
Wonder (2017) (Vudu/4K) $5.75 (iTunes/4K) (Vudu/HD) $3.25
Wonder Woman 1984 (2020) (MA/4K) $3
Won't Back Down (2012) (MA/HD) $3.75
Woodlawn (2015) (MA/HD) (iTunes/HD) $3.75
World War Z (2013) (Vudu/HD) $3.50 (iTunes/HD) $1.50
Wraith, The (1986) (Vudu/HD) $5
Wrath of Man (2021) (Vudu/HD) $3
X-Men (2000), X2 (2003), The Last Stand (2006) (MA/HD) $14.50
X-Men: First Class (2010), Days of Future Past (2004), Apocalypse (2014) (MA/HD) $11
xXx: The Return of Xander Cage (2017) (Vudu/4K) $5.50 (iTunes/4K) (Vudu/HD) $1.25
Youth in Revolt (2009) (Vudu/HD) $4.50

The last cat on Earth wandered the empty streets, looking for food and water. He had survived the cataclysm that wiped out all life, but he did not know why or how. He missed his human companion, who had given him a name and a home. He missed the other cats, who had played and fought with him. He missed the birds and the mice, who had been his prey and his challenge.
He was lonely and hungry, but he did not give up. He had a strong will to live, and a curiosity to explore. He found a way to enter the abandoned buildings, where he sometimes discovered cans of food or bowls of water. He also learned to avoid the dangers, such as broken glass, exposed wires, or falling debris.
He traveled from city to city, hoping to find another living being. He crossed bridges and tunnels, climbed mountains and hills, swam rivers and lakes. He saw many sights and heard many sounds, but none of them were alive. He smelled many scents and felt many textures, but none of them were warm.
He wondered if he was the only one left, or if there were others like him somewhere. He wondered if he would ever find them, or if he would die alone. He wondered if there was a meaning to his existence, or if he was just a random survivor.
He did not know the answers, but he kept on living. He was the last cat on Earth, and he was not ready to give up.

These are some things I wrote about one of my characters a while back, before the bow was in the game. I should really update Fergis's adventures someday.
Fergis Failout's Lucky Day at Big Bend Tunnel
I began a new character, Fergis Failout and got him to lvl 8 and I took him through Big Bend Tunnel to look for Santa Scorched. Well, it's going pretty well for the first half of the tunnel, some lvl 6 and lvl 14 scorched, but suddenly the bells, bells, bells, bells start ringing and here come 2 lvl 68 Santas, a Legendary Non-Santa lvl 68, and a couple of their lvl 68 ugly best friends - Fergis put up a good fight, but not a match, and he lost all of his junk in the tunnel. Fergis is a loser, but not one to give up, so he trekked right back down the tunnel to retrieve his bag of steel, lead, and other assorted sundries to get out the other side of the tunnel into the Cranberry Bog and certain death, but the group of lvl 68 scorched aren't happy about him tresspassing in their tunnel, so murdered again and another trek back to retrieve his sack of goodies. Rinse and repeat, until Fergis lies in wait just long enough for the hero of the Wasteland to show up, none other than Grahm, lord of the grill, master of trades, and his war drum slay the sleigh bell dangling legendaries, and every other scorched in the tunnel. Fergis is saved and has tons of loot to trade with Grahm, enough to relieve the overencumbrance, and acquire the plan for the Meathook -plus, a sweet lvl 5 Quad-Explosive Pump Action Shotgun, a few blood-soaked Christmas goodies, and a new love for our lord and savior, Grahm with his trusty sidekick, Chally.
Who is Fergis Failout: An Origin
Fergis Failout found himself and his family at fourteen living in Flatwoods, attending the high school and helping at the family business. In the days before the bombs fell, Fergis's family moved into Vault76. Fergis's father had a thriving atomic repair business, that he inherited from his father who emigrated from Ireland to the hills of Appalachia to set up shop in Pre-War America. As Fergis grew up, he worked alongside his father and learned the family trade inside Vault76. He learned to repair vault equipment, small home appliances, weaponry and other items. The years passed, and sadly Fergis's father and mother passed away in the months before Reclamation Day. Since then, Fergis has had little time to mourn their passage, instead he has tried to survive in the Savage Divide and repair some of the equipment he has been able to find laying about using the skills that his father and grandfather taught him.
Fergis Failout: The Mothman Portent of Doom
In this episode, we join Fergis putting the finishing touches on his renovated camp teetering atop a unique rock formation in the Savage Divide. Hungry for adventure, and not content to reside under a bridge near Morgantown.
Fergis packed up his C.A.M.P unit and headed out into the Savage Divide, he heard from a friend about unique rock formation near Autumn Acre Cabin and had to see for himself.
Finally on the scene after an arduous journey, young Fergis, only lvl 25 perched his camp atop the rock formation and set about to unpack all of the mounted animal heads, crafting benches, stuffed animals, and decaying body parts in jars.
As he worked along, he noted how nice and quiet his new surroundings were, "Wow, not getting attacked here. This is swell," Fergis thought to himself. Just as Fergis sat down his prized Mr. Pebbles plushie, he heard his small turret begin whispering outside and wandered out to see what was the ruckus.
Following the hail of bullets into the forest, there in the distance, he could see two red eyes, peering at him from the brush. He snuck toward the creature, but in a whoosh of black smoke, the Mothman disappeared into the ether. Fergis prepared for the Mothman to attack, but he was gone. Not to return.
But, it was not to be a quiet night, for the public address announced a Nuclear Attack had been launched; and in the distance, a mushroom cloud blossomed.
Then, without warning, from the sky a screaming and the patter of many feet, two scorched winged beasts descended upon the teetering camp and a horde of scorched men and women rained hell down upon Fergis and his camp.
Sadly, Fergis died in the melee - only to return to find his camp was beset upon anew by a new threat lvl 62 charred ghouls! Fergis, no match for the ghouls met his end yet again, taking a final breath as the walls of his camp crumbled under the assault from the creatures.
Yes Friends, the Mothman, he came with a warning of terrors to come, presaging death, destruction, and a nuclear holocaust!
Beware, when the Mothman fails to attack - it could mean that dark days are ahead!
Fergis Failout's Weighty Welch Adventure
Fergis wandered down to Welch after spending the day at Camden Park eating expired hot dogs, tossing dross, and lucky muckin'. He recently turned 50 and found himself in possession of a fine shiny suit of armor suitable for mining and fightin'.
As soon as he walked into Welch, a whole swarm of men in cloaks started shooting at him, completely unprovoked! Not to be deterred, Fergis started in to defend himself but found he was overwhelmed by the host of garbled grunting Mole Miners. He had to run away from Welch and get bandaged up, when he got back there, he found all the things he dropped and started in to stealthily eliminate the rude bastards that live in Welch. Directly, Fergis had cleaned out that whole town, liberated it of the rude cloaked men and made his way up to the little shop only to find that the shop was closed due to lack of funds. Not a cap to be had here, the Protectron vendor squawked.
"Well", Fergis thought, "this is an awful lot of salvage to just turn into scrap, I think I'll head up the tracks and find my way toward Lewisburg." The Protectron, stared at him with it's one eye and said, "May I be of assistance?"
Fergis just turned and walked out.
So, he started out of town, only to find there was a terrible-looking beast fighting some ugly green-skinned giants, "Holy moses!" He said to himself, but he was too late to avoid being spotted. Fergis shuffled through all of his junk and managed to get a weapon out of the mess and returned fire on them mutants and that giant goat, the thing damn near put out his eye with a flurry of spikes off it's back. Lucky thing Fergis was wearing welding goggles, otherwise he would've needed an eyepatch.
Finally, the mutants killed that 'Squatch, and Fergis was able to put them down one by one. Some of them, up close and personal-like with a claw he made out of mole rat teeth!
After the smoke cleared, Fergis made his way over to the killing ground and found even more salvage on the bodies, that huge goat thing had a weird weapon on it, said 'Cryolator' on the side and it appeared that it holds four times the normal amount of ammuntion. "I bet this will at least freeze an arm or a leg off, too!"
Well, Fergis turned to look back at Welch dreading the road ahead, realizing they were broke and had no caps for all his salvage, he turned back toward Lewisburg and headed on down the tracks tugging a sack of guns, scrap parts, and missile launchers behind him.
Fergis Failout : The Ghoul Puncher
It was a dreary day in Appalachia, and Fergis was free of Welch and done with breathing the dust of the Ash Heap. He finally made it back to his home in the Savage Divide after weeks of hard-worn foot travel. He was ready for some good sleep under his Mothman blanket in his own bed for a change, sleeping under bridges and old tents was a hard life for a scavenger and he was dreaming of that bed for days on end and the fresh air of the Divide.
After he returned home and checked the messages on his terminal, he found a cryptic call for help, one of the new Responders found themselves in a mess with a ghoul infestation and they were calling for anyone to come and help out.
Now, Fergis had come up against ghouls before, nasty sort of creatures, and he weren't fond of them at all. But, it was a fella he knew from the Vault and he thought he ought to go help as he could. So, after a short rest, he found his way down to the station in Berkley to get outfitted to face some nasty ghouls. Most of his guns were broken, he was practically out of ammo, and all he had was an old Miner's gauntlet with one broken claw.
He had a handful of scrip left over from Lewisburg and after he talked to the shopkeeper there in Berkley, and said where he was goin', the shopkeeper, real unpleasant sort, shoved an odd-looking glove through the window to him. He wasn't sure, but to him, it sounded like she said this was what he needed, he looked down at it and read the label on the side, 'Ghoul Puncher'. It were some kind of powered glove. Now, Fergis was already none too happy about getting close to any ghouls, but he figured this would do as good as anything. He got the rest of his gear on for travellin' and headed down toward the deepest part of the Mire, some old Church where his friend was. Well, he put that glove on, and immediately he felt better about what he was about to face. That glove had a hell of a kick to it, and he could see that it would put a hurt on a ghoul and you wouldn't have to get too close to them after all.
After a few days of plodding through the muddy mire of the swamp, Fergis found the church and could hear his buddy shouting from the window, it wasn't long after that when he saw the ghouls milling around the yard of the church, and not long after that they caught the stink of Fergis. Them ghouls started toward Fergis, and he raised that glove at them, POW, caught the first one right in the face, plumb dented it's face to pulp and it went down, another right behind it, smacked down to the ground, and they kept coming at him. He kept on dropping them with that glove, one after another, there must have been about 20 of them fall under that glove.
After all them ghouls were down, Fergis looked down at that 'Ghoul Puncher' and wondered what else it could do. "Could it take down one of them big flyin' bats?" he thought to himself.
Directly, he heard his friend coming down from the steeple of the church, "So glad to see you, I thought I was done for. I've been up there for days, and I was starting to wonder if anyone was going to help me. What's that on your arm?"
"Well, it says it's a ghoul puncher, and I believe it is."
Fergis followed his friend home, punched a few more ghouls along the way, and felt good for lending a hand, and didn't mind the jingle of a few more caps in his pockets.
Fergis & The Stubborn Camper
After Fergis left his friend, no safe from ghouls in his little bungalow in the cranberry Bog, he thought he might take a look around the Bog and get an idea of what might be there.
"Awful nice place," he thought, "But seems awful dangerous."
While Fergis was roaming around the Bog he had a message on his Pip-Boy from a gal he knew from the Vault, Yasmeen McGillicuddy. "She was a sweetie, and awful pleasant to look at, too."
Turned out Yasmeen's camp had been facing constant attacks from them flyin' scorchbats and she needed to find a new place to set up shop. Fergis had roamed far and wide, and he had a few suggestions for good places. But he was a long way away from the Forest and all of the safe places he might suggest for her to take a look at, but Fergis replied to her call and directly she came to greet him near the old Appalachian Antique store.
"Well, Fergis! Look at you. You look rough and smell rougher - what in the world are you doing in the Cranberry Bog!?"
"You know, Yasmeen - just roaming around, doin' some scavengin' and trying to stay in one piece."
Fergis and Yasmeen took to the road and headed toward the mountains. There were some nice safe areas way up in the hills and Fergis thought he could help her set up a nice place there. Well, over the next few hours, morning wore into the afternoon and they ventured over toward Kerwin Mine and right there they found a place that Yasmeen was just wild over.
"This place looks a lot like where I'm stayin' near now, Yas."
"It's gorgeous! I love the archway, so unique! I've got to move here."
"Well, don't you want to stake it out, find out if it's safe or not? You're gettin' beat down with scorchbeast already. We'll just pitch a little camp here and stay the night."
It's a hard tale to tell when tough-headed people get it in mind to do somethin' stubborn, and Yasmeen was stubborn as they get. She wouldn't have reason or logic, and she just wanted to move there to that archway. She put a call in through her Pip-boy, and before you knew it there was the C.A.M.P unit flickering to life right there on the edge of a cliff under that archway.
"I sure hope this works out for you, Yasmeen. You call me if you get into some trouble. It sure was nice to see you again, been a while since the vault."
"You take care out there Fergis, if you want to stick around a bit, I'll get mutfruit juice and corn soup cooking up!"
Fergis would've stayed, but he felt like getting back toward his own place back in the Divide. There was plenty he needed to see to back at his own house and setting up the conduits on another house wasn't worth a bowl of corn soup.
"I'll keep an ear out for you, Yas...if you need me give me a shout girl."
Fergis looked back over toward the where the Monorail used to be, "sure would be nice to hop on the rail, this walking is for the birds" he thought to himself. Over the week through the Mire and the last few days in the Bog, he had quite a bit of salvage, too much for easy transfer; so dragging it back or abandonin' it was his only choice.
Fergis made it up to a decayed satellite dish, seemed deserted, aside from a few old robots that were easy to hide from, they were slow and had just one eye, so not a threat at all. He was just about to unpack his sleeping bag when his pip-boy started to chatter.
It was Yasmeen.
"Fergis! Help me, there's Super-Mutants, Robots, Ghouls and Scorched people all around this place! Come help get me out of here!"
Fergis rolled his napsack back up, not even getting a wink of rest, strapped it all together again, tugged his bag full of junk parts, and pulled out that ghoul puncher and an old black powder rifle he found in the Mire and started back toward Yasmeen's camp.
Not even a full day and her camp were already under attack from every manner of unnatural deviance Appalachia had spit up since the world ended.
"I just got my house set up, and these mutants showed up - they smashed my tatos! They ripped my corn right out of the ground!" her voice squawked over the tiny pip-boy speaker. "I had one turret set up and an old rifle, I got them chased away, but it wasn't 20 minutes later that the scorched people showed up and start shooting at me and throwing mutfruits at my house. I'd rather have the scorchbeasts!"
Fergis listened to the static-squawking of the speaker and his frantic friend, he pressed the talk button, "I'm 'bout 10-12 hours away, I'll be there as soon as I can."
Fergis grabbed his pack, tugged it over his shoulder and put and turned around, "You can't tell stubborn people anything," he grunted to himself as he headed back through the woods toward Kerwin Mine again.

I just purchased a rare item from a seller who has over 200 positive feedback. Asking price was half of the going rate. Everything looked legit.
There are not many of these items on the market so I was looking over on eBay and noticed the exact listing picture of the item I bought on eBay.
I messaged seller and they assured me it’s not a scam. I asked for pictures and was told they already shipped. I had only paid about 2 hours prior to this. I figured I’d call their bluff, but sure enough they sent tracking and seller shipped 45 mins after I paid. They just haven’t loaded shipment info into Mercari.
What’s worse case scenario here? I get a fake item and return it?

Trading Steam Keys for Steam keys only. Some Games I have more than one copy. Any region Locked games would be USA
Games for trade
The Metronomicon-the deluxe edition
Pathlogic 2
Golden Light
DOOM® ETERNAL + Coupons
OLLIOLLI WORLD - RAD EDITION
TRIBES OF MIDGARD
CONAN CHOP CHOP
HOKKO LIFE
WASTELAND 3
GREEDFALL
ENCASED: A SCI-FI POST-APOCALYPTIC RPG
GROW: SONG OF THE EVERTREE
BACKBONE
Bridge Constructor: The Walking Dead
Black Book
BLADE ASSAULT
Civcity:Rome
Cultist simulator+ Dlcs
Crown Trick
Cook,Serve, Delicious! 3?!
Double cross
Degrees of Seperation
Dumpy and Bumpy
Duke Nukem Forever
Duke Nukem Forever The Doctor Who Cloned Me
Duke Nukem Forever Hail to the Icons
DISCIPLES: LIBERATION
Disciples III:Reincarnation
DMC:Devil may cry
Dragon's Dogma Dark Arisen
EPIC CHEF
FIRST CLASS TROUBLE
One Step From Eden
Fantasy General II
FAR:Lone Sails
Grand Mountain Adventure: Wonderlands
GOLF GANG
Hello Neighbor
HitchHiker-A Mystery Game
Helheim Hassle
Ittle Dew 2+
Joggernaut
KINGDOMS OF AMALUR: RE-RECKONING - FATE EDITION
Ken Follett's The Pillars of the Earth
Let Them Come
Last Word
MAID OF SKER
Morbid:The Seven Acylotes
Monster Slayers + dlc
Neon Abyss
N++
Project Nimbus: Complete Edition
PGA 2K21
RAILROAD CORPORATION
Railroad Tycoon 3
Railroad Tycoon II Platinum
Sid Meier's Railroads!
RAJI: AN ANCIENT EPIC
Rebel Galaxy
Riot-Civil Unrest
SUPER MAGBOT
Rocketron
SHADOW TACTICS: AIKO'S CHOICE
Shadows:Awakening
Shadowhand:RPG Card Game
Shogun:Total War Collection
Slain Back from Hell
SEUM:Speedrunners from Hell
Sunblaze
Super Fancy Pants Adventure
Street Fighter IV
Street Fighter V
Syberia I
Syberia III
Starpoint Gemini Warlords
TOEM
Tropico 5
THE SERPENT ROGUE
THE DARK PICTURES ANTHOLOGY: LITTLE HOPE
The Golf Club 2019 Featuring pga tour
The Dark eye:Memoria
UNMETAL
Underland: The Climb
Viking: Battle for Asgard
V Ralley 4
WHERE THE WATER TASTES LIKE WINE
WWE 2k Battlegrounds + pass
Wayward Souls
WarriOrb
WISHLIST! I want anything below this line I don't Have it for trade!!!!
Deep Rock Galactic
Caves of Qud
CoroMon
Dwarf Fortress
Temtem
Digimon Story Cyber Sleuth: Complete Edition
Monster Rancher 1 & 2 DX
Offers Welcome
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